Origami Blast From the Past

This was from a couple of weeks ago, but I was just writing it when my computer turned bad. So here you go.

Many years ago (1994 I think), before I joined the Origami Society I attended one of their annual conventions. It was just for the day and mostly just saw the exhibition and hung around the common area. I hadn’t really done much origami in a number of years but I remembered that OUSA was based in NYC, and had always been curious about it. It turned out to be a really cool experience and I was amazed at how origami far origami design had progressed since the 80’s. In fact it was in the midst of a revolution that is still playing out today. One model I remember well for it’s artistic impact was a fossil, a lizard skeleton rendered as a precise but random-looking set of wrinkles and creases in a torn up old paper bag.

I decided to contribute a model to the annual collection. It was my dragon, one of my first successful origami designs among only a handful of models at the time. It used a modified blintzed frog base, a variation on the base John Montroll used for his Pegasus in Origami for the Enthusiast. I diagrammed it using pen and ink and drawing board over the course of a few months and submitted it to OUSA. It was a tumultuous year for them as the founders (Lillian Oppenheimer and Alice Gray) had recently died and there was a turnover in the leadership. In any event I never heard back from them.

Years later I found out it had been accepted and published in the 1995 Origami USA annual collection. I had tried to locate a copy for ages, but it was the one year of all the back issues that was sold out. Finally a couple of weeks ago, my friend Marc Kirshenbaum (who is on the OUSA publication committee) located an old copy and offered to me. Shortly after Thanksgiving I went over to his place to pick it up. Like I said Origami was undergoing a major design revolution, so it’s really interesting to see the combination of old and new styles in a collection from that time. It’s also really gratifying to see my early work along side established origami masters. So a great big thanks to Marc!

Marc also deserves credit and thanks for encouraging me to get serious and systematic about designing my own origami models. The year after I joined OUSA (2003 I think), I took a Monday class that he was teaching about design, and was inspired to invent a lizard. I realized then I had all the knowledge I needed, and I just had to go do it! It sparked the beginning of a creative streak which I am still mining for new ideas.

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