Spellbound – New Mixes

Here are rough mixes of the first six songs of my upcoming album Spellbound: In the Dead of Winter. I’ve been listening back to them and making tweaks to the balance, effects, and compression. I’m ready to declare victory on these for now and put them aside until the last song is finished, then come back to them for final mastering. But that may take a while, since the last song is a doozy!

Anyway, here you go, enjoy!

The Call of the Muse
Strange to My Mind
The Slient Hour
Sandcastles
Flock of Fools
Frozen Ocean

A-Hoppin’ an’ A-Boppin’

It’s been a busy few weeks.  Winter is over and one or twice a week we get a day nice enough to be hopeful that spring will be here any day now.  I’ve been going into the city alot recently.  The week after our trip to Chicago we went to a tribute concert to Billy Joel at Carnegie Hall.  I’d never been to Carnegie Hall before (even though I practice every day), so that was pretty cool.  The concert itself was great.  The band was Billy Joel’s backing band, and a series of guest artists sang a bunch of his hits and deep tracks, some doing pretty different interpretations.  Among the highlights were the singer who did River of Dreams on ukulele, and Natalie Merchant’s rendition of Allentown, which Michelle called “the saddest version ever”.

The week after that we saw Kurt Elling at Birdland, with the Future of Jazz big band.  The show was excellent, and afterwards we were talking to the bass player because his father was sitting next to us in the audience.  Kurt did Joco’s Three Views of a Secret and he remarked that he wasn’t really familiar with the song and it blew his mind.  I was thinking, you’re a jazz bassist in a big band and you don’t know the record Word of Mouth?  Kids today I tell you.

Only a couple days after that I went into the city for work, mainly to go to lunch and say goodbye to my friend Sukhi.  She was the product manager on our product Permission Slip, but CR is getting out of the privacy business, so she’s moving on.  The general vibe of the company now is fear and uncertainty, so it makes me wonder about the future of the Innovation Lab. 

Finally, Jeannie and I took a quick little trip to Boston for a special event for the Global Jukebox.  It was in induction ceremony for the Americana Roots and Folk Music Hall of Fame, and Alan Lomax was one of the honorees.  Anna accepted the award on his behalf, and got to invite a number of people as guest to the ceremony.  So we were part of her entourage.  I met Odysseus and his family, and some others of the Lomax clan, and Kiki and Robert were there too.  The event took place a beautiful old theatre.  There was a cocktail hour in the lobby with amazing bacon Old-fasioned’s.  The main event was a dinner with the tables set up on an enormous stage with the band turned around facing us. The house band that played a few songs after each honoree’s acceptance speech, with numerous guests.  All very good.  Anna mentioned the Global Jukebox in her speech and me by name, so I got to stand up and take a box.  Very kind of her.

Finally, my band Spacecats had a gig last Friday.  It was a good crowd and the music went over well, although we didn’t make much money.  One of the new songs we did was Joy Spring.  Another was a jazz interpretation of Black Hole Sun by Soundgarden.  This went over amazingly well.  Several people sitting way over at the bar came out to stand in front of the stage and record us with their phones.

Meanwhile, like I said we’ve had a few nice days.  Over the last two weekends I began the spring cycle of yardwork by raking up all the leaves and debris on the lawn and in the flowerbeds and under the hedges, and did a little but of trimming.  I also got the Mustang out on the road for the first time this season.  Happily it started right up, even after a brutally cold winter.  But now I need to get it into the shop for an oil change, a soft tire, and a bunch of other minor issues.  Ah well.  Maybe this is the year I’ll finally get it painted.

I’ve also been able to get out on my bike a bunch of times, maybe two or three days a week.  I’m over 20 rides and 120 miles for the year already.  I’m hoping start going pretty much every day soon.

Ah, spring!!!

New Song: Frozen Ocean

I finished tracking my new song Frozen Ocean a good while back, and have been honing the mixes to the point where I have a pretty satisfactory rough mix.  This was one of the few songs I’ve ever done where the main sound is built up out of layers of guitars, and I learned alot.

To rewind a bit, Frozen Ocean is the sixth song on my upcoming record Spellbound.  It’s one of two songs that was not on the original record Martin and I made back in January of 1990, but one that he wrote around the same time and was part of the live set of his band Shade.  I think it was Martin’s first really great song – great lyrics, great melody, great sound, imagery, tone, build and dynamics, everything.

This song took alot of practicing to get the guitar parts right, but along the way I definitely leveled up my guitar playing and mixing skills.  It opens with the guitar playing an arpeggiated pattern shifting among open and fretted strings. Martin was such a good guitarist, even early on, that I didn’t realize how subtle and complicated the part was.  Next up, lead guitar part was another major challenge. First I listened to his original recording and learned his riffs, then began to practice and memorize them. The song has three guitar solos, a light and airy one at the beginning and end, and a heavy one in the middle. There’s alot of nuance in the tone and phrasing I sought to capture, as well as some moments of intense shredding that really needed to woodshed.  Lastly, I decided to double the rhythm guitar with the twelve-string, since it worked so nicely in the two other guitar-oriented songs. I subtly changed some of the voicings and patterns to bring it more in line with Martin’s original, and to create more depth.  It took a while to make all the guitars sit well together in the mix.  They key was to put a bit of flange on the 12-string to make it blend with the original rhythm track.

Compared to the guitars, the other instruments all went down pretty quickly. There’s a piano part in the background, which I actually recorded first to serve as the spine of the track, and to retroactively insert myself into song to make it fit with the tone of the rest of the album. The drums, being midi, took some work because I was trying to replicate lots of open-sounding cymbal work and some jamming-style fills. My plan is retrack the drum part with real drums, as with all the songs on the record. The vocals went down surprising fast, since Martin’s vocal range and sense of phrasing was very similar to my own. I think I did three takes in less than twenty minutes and knew I’d nailed it.

So here you have it, enjoy!

https://zingman.com/music/mp3/spellbound25/FrozenOcean18a.mp3

Frozen Ocean

I’m going to fly away
Watch me on the run
Try to sail a frozen ocean
See the world but she won’t want me
See the stars they only haunt me
Sail this path until my life is done

You learn the waves you ride
They carry you to the other side
Wait for a springtime tide to bring you home

Here upon my frozen ocean
Watch the world drift by
Caught between the sea and leaden sky
See the life that’s moving under ground
Hear the death that rolls with thunder sound
See the place where all our spirits lie

You learn the waves you ride
They carry you to the other side
Wait for a springtime tide to bring you home

You’ll see the breaking of the day
Your spirit blowing you away
With nothing nothing left to say
The wind is calling you to stay yeah, stay yeah

You learn the waves you ride
They carry you to the other side
Wait for a springtime tide to bring you home

I see the sky is falling
I hear the wind is howling
I see the death that gathers ’round
Lost upon this frozen ocean
Watch the sun go down
Nevermore and never to be found

— Martin Szinger, 1990

Fotoz 2025

Yesterday was the first day of spring.  The weather has been all over the place, but on average it’s been getting more pleasant to be outside.  We’ve even had a few genuinely nice days that make you remember how it feels good to be alive.

I just barely completed my fotoz albums for 2025 before the end of winter.  It was a little more of a process than usual since the software I’ve been using for years to build the galleries no longer works reliably so I wound up doing alot of work by hand instead of automating it.  Next year I need to find or develop a new workflow. 

Anyway, here are galleries.  As usual, please ping me if you need access credentials.  Enjoy!

https://zingman.com/fotooz/
https://zingman.com/fotooz/2025/2025-04/
https://zingman.com/fotooz/2025/2025-03/
https://zingman.com/fotooz/2025/2025-02/
https://zingman.com/fotooz/2025/2025-01/

Spacecats Live at the Green Growler March 27

My jazz group Spacecats will be appearing at Green Growler in Croton, NY, on Friday March 27 at 7pm. The group consists of John Szinger on saxophone, Josh Deutchman on piano and synthesizer, Ken Matthews on bass and Rick Arecco on drums.

The Growler has become our regular gig, and a great environment for the band to experiment and progress. We’ve been sharpening up our originals in preparation for recording our second album, and rotating in new jazz standards and rock and pop songs. Our sound and playing keeps progressing to higher and higher levels, with great imagination and energy. Should be a great time, so come on down and check it out!

Spacecats – Jazz and Funk
Friday March 27, 7pm
at
The Green Growler
Croton-on-Hudson, NY

Origami Chicago

And all at once, spring is here!  It got up to seventy degrees today, and all the snow is gone.  Nothing much is growing yet, but the grass has turned from greyish-brown back to something resembling greenish.  Can’t wait to take a nice long bike ride tomorrow.

Jeannie and I just got back from a trip to Chicago.  The main purpose of the trip was to go to CoCon, the Chicago Origami Convention.  We went four years ago and had a great time, so we decided to do it again.  We flew out Thursday morning to give us a couple days to go sightseeing before the convention started.  To me Chicago has a great vibe, somehow combining the best of New York City and Buffalo.  The first day we went to the Adler Planetarium.  It was pretty cool.  It had some shows in the dome including a tour of the solar system and the current state of big astronomy in Chile, plus a bunch of exhibits including a Gemini capsule.  After that we walked around the shore of Lake Michigan for a little while.  It was a strangely foggy day.  We ended up at the Field Museum if Natural History, home of the famous Tyrannosaurus Rex Sue.  We went there last time we were in Chicago, but it was so cool we figured we’d go back, being right next door the planetarium and all.  They had a bunch of other cool exhibits, including one documenting melting glaciers around the world.  And I must say, as a former exhibit designer, whoever does the exhibits there does and amazing job!  That evening we walked around downtown near our hotel and got genuine Chicago-style pizza.

Friday we went to the Griffin Museum of Science and Industry.  This was a pretty amazing place.  Lots of stuff about transportation, trains, airplanes, etc.  The have an entire World War II U-Boat that was captured toward the end of the war, and brought the place in the 1950’s.  You can take a guided tour inside.  There’s also an exhibit that’s a re-creation of a coal mine, taking you thru the history of mining machinery for the last hundred and twenty years.  One had a giant model train diorama that demonstrated to role of rail in the cycle raw materials, heavy manufacturing, the distribution of goods, and travel.  Elsewhere was an entire train from the F.D.R. era, an early high-speed streamline passenger train made of stainless steel.  For me one of the highlights was a 1929 Duesenberg J automobile.  It’s my favorite car of all time and I built several models of them as a kid.  I’ve never seen one in person before.  They’re surprisingly huge! We wanted to go to the Museum of Contemporary Art too, but I guess that’ll hafta wait for next time.

Friday evening was the start of the convention.  I set up my exhibit, which did not include any really large models since I had fly with it in my luggage, in the largest box that would fit in my backpack, and spent the rest of the evening catching up with my origami friends.  A bunch of us went to the Irish pub around the corner from the hotel later on.  Saturday and Sunday I taught several classes, including one for my Flying Saucer and Retro Rocket, another for my Platypus, and a third for my single-sheet polyhedron Semi-Sunken Icosahedron.  Whew!  I also took a couple classes, including one on making masks and faces by wetfolding thick watercolor paper, and another on a human figure model.  This got my creative juices flowing.  In evening folding I designed a human figure from a pentagon, since the human form has five major appendages.  The idea has been in the back of my mind for a long time, but the folding was pretty spontaneous, and it turned out surprisingly well.  I’m thinking of it as a base, and plan to fold a few more figures and bring out different kinds of character in them.  I was experimenting more with faces, trying to come up with a good pattern for a face bass so the features line up in the correct place and in good proportion, and also to incorporate things like cheeks, jawlines and brow ridges to make it more lifelike.  On the way home I got the idea to try a face out of pentagon too.

After classes Jeannie and took a walk to Daly Plaza, where they have that Picasso, and the next day out the end of Navy Pier, where there’s a statue of Bob Newhart of all people.  By Sunday the weather was starting to turn nice.  It was sunny and warm-ish, but very windy out on the lake.

Now I’m a folding mood, and have started in on a new version of my semi-sunken dodecahedron.  Want to have some new stuff the show at the next couple conventions.

I can bring you up to speed on the music scene too.  My Spellbound project is at the phase where I’m listening back to mixes of the first six songs, and they all sound pretty great.  There’s still one more song to go, but there’s alot of work ahead on that one so I think I may downshift on it for a while to make more time to do origami in the next few months.  Meanwhile, I successfully got my two audio interfaces working together to form a single sixteen-track studio!  This is a pretty big accomplishment.  Next rehearsal we’re gonna do here and hopefully it’ll all go smoothly on the tech side and we can focus on getting comfortable jamming with the setup.  After that we have a couple regular rehearsals for a gig coming up at the end of March.  We’ll use that time to sharpen up our originals and pick which songs we want to record.  So we’re looking at setting up some recording sessions in April.  We’ll keep you posted as to how the situation shapes up.