I’m still in the middle of mostly the same things. The dude abides.
The patio project nears completion. Just two more big stones to place, and three little ones. I been working an hour or two a day most days, sometimes more. The first week I got alot done, but the second week was slow due to several rainy days. I put in the fill but had to tamp it down and wait for it to dry and tamp it down again.
Last week I got back up to speed, putting in the bed of sand over the fill and laying the stones on top of that. I had originally estimated the amount of sand I’d need based on it being about and inch to an inch and half deep, but it was more like an inch and half to two inches. On top of that, the existing patio had sunk a bit over time on the side away from the house. I had to lift up and level off a bunch of old stones along with the new ones. I didn’t really count on the extent of this so it added a few days and I had to go back and buy more sand.
I should be done this week if the weather is good.
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I’m close done two of my songs – Autumn Eyes (formerly Winter Wolf Whisper) and Why Not Zed.
Why Not Zed is a post-punk rocker. It now has the guitar and vocals down. All that’s needed is a solo, probably a sax, and maybe some noisy synths back there and some extra background vocals.
Autumn Eyes is a jazz ballad I wrote for the group last year. My recording is another experiment in computer studio jazz; I’d say it’s pretty successful. I played all the instruments, including a piano solo and bass solo, and all hangs together nicely and gives a convincing illusion of spontaneity among a group of players. I tried to approach each solo differently in terms of melody, rhythm and pacing. I was thinking asking Jay to do the bass part, but he wanted to play to a more-or-less completed track and I wanted to have a bass track laid down pretty early, so I did my own, and kept it cuz I like it. Now I’m experimenting with effects to get a good jazz tone out of a fender bass. Lots of treble and chorus.
I wrote the song with soprano sax in mind. Somewhere along the line I played it on tenor and the guys in the group said they liked that better. I recorded it both ways cuz I can’t decide. Each is good in their own way but changes the character of the song.
I still wand to add a little 80’s style string-synthesizer and maybe a few other background instruments for sweetening. Also gonna try some real drums, particularly snare drum with brushes and cymbals with mallets.
My third song Heavy Water is coming along. It was originally gonna be a 70s-ish funk-fusion thing a la the Headhunters, but its evolved into a more videogame vibe. Today I laid down a rough take of the sax. I have a pretty specific idea of how I want two saxes and a synth to weave in and out. But boy, I’ve gotta learn how to improvise on those changes. The original idea of the chord progression was to just have a four-chord loop, but I ended up using two contrasting chord loops, alternating in a complex pattern that catches me off guard from time to time.
In any event, I’m on track to have all these done before the end of the fall. That’ll put me at about 25 minutes of produced music this year – a new record!