Ah, so back to talking about making music and art and stuff. You probably thought I’d forgotten about that. But no, I’ve been making steady progress the whole time.
First, an aside. Tonight was the spring band concert at the Kids’ school. Lizzy is in 8th grade, so this may be her last one. Certainly then end with this school. Her band director, Mr. A., is a really great guy and excellent teacher. He was Lizzy’s band director at the old school too, so we’ve known him quite a few years and under his guidance Lizzy has grown to be one of the star performers. He gave a special call out to all the graduating kids in the band, and invited Lizzy to come back for Honor Band next year and thru high school. They’re trying to get a band program going at Lizzy’s new high school, so you never know, this may not be the end. And of course, not to be overlooked, Michelle is coming along nicely on clarinet.
Meanwhile, I’ve been working on Black Swan, the eight-minute epic for my next album. The bass, drums, piano and vocals are tracked and sounding really smokin’. Now it’s up to the solos and the finishing instruments. I jammed out a sax part for the rest of the song, but decided I want to work out a real horn arrangement. Probably tenor and bari. I’m also gonna add either a clav or rhythm guitar, or maybe both. This’ll give me a chance to finally plug in some of those effects boxes Martin left me and try and get a sound. Might also motivate me to go out guitar shopping.
I find it’s best to work on songs in pairs, so the other song I’ve been working on is Is It Safe to Go Outside? This was written by Martin, and I found it in a pile of demos a few weeks back. It’s not a horror story, but an ode to that feeling you get that first day of spring when the weather finally turns mild. It’s really a great song, and at first I just wanted to learn it to play on piano, but it’s really worthy of a full production recording. Martin’s demo features a click track and rhythm guitar, and then the vocals, bass, and sax form three interlocking melodies, almost like a fugue. On top of that, he has this really clever way of turning the time around every few bars.
First I learned the bass and sax parts. My piano part will feature ideas from both of these as well as the guitar. Next I added a drum part. This was fun, to create a beat that grooves and yet follows all the intricacies of the arrangement. The kick drum cleaves pretty close to the bass, while the hihat holds down the backbeat. Everything else takes off from there.
The sax part needs to be retracked because it’s out of tune. When I went to learn the part I could see why: Martin plays it on tenor and it’s really high in the range. Those high E’s and F#’s are tough. If I can’t get a good take on tenor I’ll try it on alto to see how that sounds. I may also put in a bari line for some extra bottom.
Neither song has a ready rough mix yet, but soon, soon. Meanwhile, Is It Safe has great lyrics too. Here they are.
…
Is It Safe to Go Outside?
by Martin Szinger
Is it safe to go outside?
Is it time to count up all the flowers growing?
Is it safe to feel the sunshine
Like a long-lost friend returning?
Is it OK to roll the windows down?
Take a ride, I want to feel the wind in my face
Blood flowing in my veins
Is it safe to go outside, you know I try to be strong
But the winter’s been too long
Is it safe to go outside, I hope the forecast isn’t wrong
You know this has to be the day
Is it safe to take myself to the park?
Blame it on my alter-ego
It’s a game of bocce for my soul
Knock ’em down and keep them rolling
What a shame it would have been
To pass you by and not to see the smile on your
Face… shine… wait…
There’s blood flowing in my veins
Is it safe to go outside, you know I try to be strong
But the winter’s been too long
Is it safe to go outside, I hope the forecast isn’t wrong
You know this has to be the day
There’s blood flowing in my veins
There’s blood flowing in my veins
There’s blood flowing in my veins