Freewheelin’

April’s almost at an end.  It’s been nice weather the last few weeks.  All the trees and plants are flowering and filling in with leaves.  Such a dramatic difference.  Lovely yo be outside, and a great boost of energy.

Easter was about as late as it could be this year.  We had Mary and the family over, and Jeannie made a rib roast.  It was a nice time.

I’ve been doing plenty of biking, getting to know my new bike.  We’ve been out on the Empire State Trailway twice now, the second time with my new bike.  Both times I did sixteen miles, which has become my basic trip.  I’m trying to get my time down to 64 minutes, which is fifteen miles an hour, or four minutes a mile.  So far my best time is more like four minutes and five seconds a mile on average.  This last trip, I made it to the end where I turn around in thirty-one minutes!  But I got tired on the return trip, and in the end didn’t go much faster than my first time this season.

I’ve also taken my bike into the Nature Study Woods a few times now.  It’s a woodsy place near my house with trails that are mostly pretty flat, but hilly and rocky in a few sections.  I can pull up all the hills pretty handily on my new bike, which is good cuz I wasn’t able to test it out on that kind of terrain before I bought it.  I’m exploring different, longer rides in my neighborhood.  Last time I went all the way thru NSW up to Mill Road, then zigzagged my way back home thru New Rochelle, for a total of 10 miles, and about 500 foot elevation gain.

Jeannie’s bike is in the shop right now, so this weekend we did some hiking instead.  Went up the Timp in Harriman State Park.  Four and half miles, 1000 feet vertical.

I watched the new Bob Dylan movie a couple weeks ago.  It was lots of fun, especially cuz my patron Alan Lomax, the visionary behind The Global Jukebox, was a character in it.  One thing about it found funny was that I used to live in Greenwich Village, so to see it reconstructed thru combination of hHollywood backlot and AI-generated CG took a few minutes to get used to.  It also made me miss smoking.  Perhaps predictably, the story ended just after Dylan turned electric in 1965.

I also watched the new Led Zeppelin documentary Becoming Led Zeppelin.  It was done by the guy who did American Epic, and in cooperation with the surviving members of the band.  It features lots of interviews with Page, Plant and Jones, and archival interviews with John Bonham.  It mostly focuses on how Jimmy Page put the group together out of the collapse of the Yardbirds, in the midst of British psychedelic heavy blues scene of the 60’s.  Also a deep dive into Jimmy and Jonsey’s work as session players and that scene at the time.  Shirley Bassey’s Goldfinger was shown an example.  There’s concert footage from early TV and concert appearances as The New Yardbirds, the as Led Zeppelin in America in 1969, culminating in the band’s triumphant return to England shortly after the release of their second album to play their first major shows on their home turf as Led Zeppelin. In a surprising twist, the story ends just before they turn acoustic in 1970. 

The next night I had to watch Celebration Day, the Zeppelin reunion concert from 2007.  It still holds up, great song selection and great performances.  Musically and sonically is actually better than most of their concert footage from when they work together as a band.  It makes me wonder how much they fixed up in the studio in postproduction.

Speaking of the studio, my recording project Spellbound is coming along.  I’m up to tracking vocals on the first batch of four songs.  One is really low in my range, one is really high, one is right in the middle and the last one’s an instrumental.  The low and middle ones went down pretty easily, and now I’m tracking the high one, which is well within my range if I’m warmed up.  It’s kind of a belter, a power ballad sort of thing. I’ve done a few takes and am getting comfortable and focusing on the phrasing, which is a good place to be.

I’m also continuing to cleanup and reorganize my studio.  In the last couple weeks I got rid of a whole bunch of old computer and electronic equipment.  The last thing is go thru boxes and boxes of origami models and cabinets of paper and consolidate all that.  I hope to be finished will all this before Michelle moves home in a few weeks.  Meanwhile I’ve also set up the mic stands and microphones around my drum kit.  The final step is to plug everything in and start recording.  BTW, I’ve decided to learn how to play The Crunge on drums.

One more thing, my jazz and funk group Spacecats has another gig coming up on Friday May 30th at the Green Growler in Croton, which is fast becoming one of our favorite places to play.  The band is in a fun place now, playing at a very high level.  I’ve been slowly making charts in software of my backlog of songs, and bringing them in to the group, so we have some new originals each gig. 

The most recent of these is Mo’bilty, which I originally wrote for my pre-pandemic band with Gary and Jay and Rich, and subsequently recorded on my record Bluezebub.  The recorded version was a sort of cartoon-jazz vibe in 7/4 meter.  The band took to the odd time signature but came up with a pretty different feel, but also very hip and much more modern sounding.  Should be fun to see how this one develops.

Meanwhile, watch this space for updates on the gig as the time draws closer.

Plutonium Dirigible is Live!!!

Here it is at long last, Plutonium Dirigible, the new album by Buzzy Tonic, available on all your favorite streaming services. Buzzy Tonic is my home studio project, and the new record features nine new original tunes.

This record is dedicated to my brother Martin, who started Buzzy Tonic with me years ago, contributed a song to the record, and will always be a part of the creative spirit of the project.

Spotify
https://open.spotify.com/album/5zyYCVFrVi6U4BYPKD8PDW

Apple Music:
https://music.apple.com/us/album/plutonium-dirigible/1777655404

Amazon:
https://www.amazon.com/dp/B0DLLMJ657

For more info, check out the album’s web page at:
https://zingman.com/music/plutoniumdirigible.php

Enjoy!

The Brothers Zing

Martin and I have been making music together from the time we were little kids. I’d always dreamed of putting together a live band with him someday to perform our original songs. With the upcoming release of the fifth Buzzy Tonic album, now is a good time to look back the first Buzzy Tonic album, called The Brothers Zing, a collaboration between Martin and myself. Actually, the album was originally called Buzzy Tonic and the name of the group was The Brothers Zing. (I retconned it just like certain film directors add a subtitle like A New Hope to their movie after it’s been out in theaters a while, then years later try and play it off like the subtitle has always been the actual title. But I digress …) I should mention that Martin came up with the name Buzzy Tonic, meaning both a description of the sound, consonant yet distorted, and also some kind of intoxicating libation that staggers the mind.

Back in 2004 or so, twenty years ago now (wow!), I was in a sort of musical hiatus and looking to do something new when Martin approached me. The idea was to do a virtual collaboration, which was unusual at the time. We built matching ProTools based recording studio setups, and we’d send files back and forth, building up a song track by track, changing things around and refining them as we went. We wrote, arranged, preformed and produced eight original songs in a period of about a year.

For me it was a big step forward in many ways. It was the first time I’d really written rock songs with a lyric (I’d previously written mainly jazz instrumentals up to that point, and I’d done a whole lot of computer and electronic music) and focused on an actual album of songs, with the aim of producing a professional quality record. He gave me alot of confidence to step up with my writing and singing. He also wrote a computer program called Guitar George to help him figure out how to play guitar voicings for all the crazy jazz chords that appeared in my songs!

Obviously it was fun and successful, and I’ve kept on making records, getting better with each one. Martin had to drop out of the second record due to other commitments, and I sort of took it over as a a solo project. He remained very generous, contributing one song for every album (except the jazz instrumental one), and often adding vocal or guitar parts to my songs, and giving constructive critical feedback along the way. In fact, I kind of think of all the Buzzy Tonic records as being in a way by The Brothers Zing. And don’t worry, we’ve done other project before and after, so there’s more music from the two of us in the offing.

Meanwhile, you can hear the songs here:
https://zingman.com/music/#BeeZee

And learn all about the the songs and making of the record here:
https://zingman.com/music/beezee.php

Enjoy!

Plutonium Dirigible

It’s been another fun and busy week for music.  Last Thursday I saw the current touring versions of the classic prog bands Yes and ELP at the Capitol Theatre.  It was a really good show.  The only surviving member of Emerson Lake and Palmer is Carl Palmer, and he did an ELP tribute show that combined live musicians with canned tracks and video from ELP’s 1992 tour.  It was pretty effective.  They opened with Karn Evil 9 1st Impression Part 2.  Both the bass player and the guitarist had midi pickups on their instruments.  Once the singing part was done the bass player played the organ solo, and then the guitar player did the synth solo.  Very impressive.  They did one new tune with no legacy tracks, a pretty cool instrumental prog jam.  The only thing I didn’t love was using vocals from old fat 90’s Greg Lake rather than from the 70’s when the band was in their prime, but I guess they didn’t have isolated tracks they could use from way back then.

Yes was actually Jon Anderson with The Band Geeks, a Yes tribute band he apparently saw on the internet and asked to tour with him.  They were very good, actually better than some versions of real Yes I’ve seen.  The bass player and and guitarist in particular leaned heavily into the classic sounds of Chris Squire and Steve Howe, with the the same instruments, and every nuance of every riff lovingly memorized.  The set was entirely the big numbers off The Yes Album, Fragile, and Close to the Edge, with one new song that fit right in.  Jon can still really sing and lead that great vocal harmony sound.  And, sitting on 12-string acoustic guitar for And You And I was special guest John McLaughlin!

Then on Saturday night I saw my friend Erik play a set of rock covers on the patio of a bar next to parking lot in Hastings.  I haven’t seen him since before the pandemic.  Good to get together and talk, even if only briefly.  I’ve been trying to connect with friends again recently.

Also, I biked twenty-six miles in an hour and forty-five minutes on Sunday, a personal best for the season.

But the big news for tonight is the tracks for the new Buzzy Tonic record, Plutonium Dirigible, are complete! 

You can hear the tracks here:

https://zingman.com/music/#beezeevee

And learn more about all the songs and the whole project here:

https://zingman.com/music/beezeevee.php

All that remains is the album artwork and to submit it for publication. So watch this space for the release of the album on CD and streaming services in a few weeks.

New Song – Sisyphus Blues

This is a reworking of an older song, with a new melody and updated lyric. Because life is like that. Enjoy:

Sisyphus Blues

(D minor, drop D tuning)

Just when you think that life’s looking up
And you might drink from that flowing cup
Then comes the day when it all turns around
Just then you think that life’s looking down
Climbin’ up that hill
Slidin’ down that hill

Life’s looking up then it’s looking down
Ramblin’ up that hill
Tumblin’ down that hill

You might drink from that silver cup one day yeah but now you’re
Holdin’ on to what you will
Ridin’ on up and down that hill

Then comes the day when it all turns around yeah
Holdin’ on to what you will
Ridin’ up and down that hill

New Recording – A Plague of Frogs

I had a very nice Thanksgiving weekend.  Michelle came home for a visit, and we all went out to Long Island Thanksgiving day, and the rest of the time played some games and watched some movies and slept in every day day caught up on a bunch of random tasks. Among them…

I finally finished the song that could not be finished is finished.  A Plague of Frogs is probably to most complicated song I’ve attempted to record, arrange and produce, in the terms of number of interlocking themes, changes in sound and tone, overall length, and sheer number of tracks and layers.  In the end I made it a battle between sax vs. synth rather than sax vs. guitar, and I really leaned in to the bloopy, buzzy sound of the synthesizer to create an alien vibe.  After I did the synth solo I had to put it aside for a while.  I was in a phase of listening to heavily layered 80’s records like So, Synchronicity and Power Windows and had a bunch more ideas to further develop the arrangement.  But then I got to a place where the build up in the middle section was satisfying, and after that there was nowhere else to go.  I found myself sculpting the sound by taking things away rather than continuing to add more parts, and once that realization hit it was pretty quick to finish up the song and get to a good mixdown.  The rest of the kitchen sink will have to wait for other songs.  

So here it is. 

https://zingman.com/music/mp3/plutoniumDirigible/PlagueOfFrogs54k.mp3

I hope you enjoy!

New Song – A Plague of Frogs

The concept for my new song is a battle on the planet Mars between the humans and an alien invader from another solar system.  It’s sort of a mash up of By Tor and the Snow Dog by Rush and I.G.Y. by Donald Fagen.

I’ve been working on this one a while.  In fact I started it during the sessions for Elixr, two albums ago.  And the intro riff has its origins in a piece I did called Futbol Anthem, way back when I worked for an ad agency in the ’90s.

It’s very much an in-the-studio creation, and it takes advantage of ProTools’s ability to make arrangements you’d probably never do with a live group, with shifting meters, stacked synth and drum layers, etc.  Still, the goal is to make a song that’s enjoyable to listen to for the whole nine-plus minutes, an entertaining ride, sorta like a movie for the ears. 

My friend Dazza agreed to do the guitar solo.  In solo section in the middle, the sax represents the humans and the earth, while the guitar represents the aliens on Mars.  They battle it out, trading riffs and building intensity, something like a boss fight in a video game.  Then on to a big unison riff section.

But we’re still recording all that, so for now here are the lyrics.  Enjoy!

A Plague of Frogs (International Space Year)

Peace on Earth – war on Mars!
Epic conflict among the stars
Space invaders from afar
Challenge the humans to keep the red planet ours

Cosmic war – a plague of frogs!
Now descend the Tobes of Zog
Encroaching frozen dessert canyons
Entrenched so they evade our scanners
Vile scourge of the solar system
Even our best star lasers missed ’em
Space ranger battle scarred
Earth needs a new hero to win back dusty crimson Mars

(solo – sax vs. moog)

Peace on Mars – and love on Venus
Humanity at last victorious
Vanquished foes warp back to their home world
The frogs of Zog retreat with their tails curled
Our spaceships free for more peaceful uses
Our scientists can again court their muses
Peace on Earth and victory
But victory is temporary

Humanity in victory
But victory is temporary
Yeah victory is temporary
Oh victory is temporary yeah

– jfs

New Song – All of the Above

I started this song a while back, when I was in a phase of writing singer-songwriter style things on guitar.  The original idea of this one was an uptempo boogie shuffle number in the mold of Can’t Get Enough by Bad Company.  As I developed it, it became slower and bluesier and a bit less glib, since I’m not so young anymore and my relationship goals aren’t that same as a teenager’s.  So it’s a bit more retrospective, looking back on young love from a distance.

Musically, it’s alot more pop than my last song, but still with some interesting twists.  The meter shifts from 4/4 to 6/4 throughout, but is more easily expressed as 2/4.  I had the basic arrangement of guitar, piano, bass and drums, with the bass kinda channeling Geddy Lee in the verse.  But I felt it needed something more.  To finish it off I added a horn section of tenor and bari sax, and an ’80’s style lead synthesizer.  It took a little while to get the tone and dynamics right on the synth.  Lastly I added some real cymbals, played with mallets, to the intro and outro to support the guitar and bring some warmth into supplement the midi sample drum kit.

I now have six complete songs for my new album, whose working title is Plutonium Dirigible. That’s about twenty-eight minutes of music.  I have another close-to-ten-minute epic about halfway tracked, and one more song to record after that.  Hope to have the record out by the end of year.

Here it is, enjoy!

https://zingman.com/music/mp3/bzvr/AllOfTheAbove33.mp3

All of the Above

I wasn’t lookin’ for a true love
I was just lookin’ for a new love
I wan’t lookin’ for a long love, strong love
Yeah yeah yeah no, none of the above

I seen you out dancing last Saturday
Monday you’re in my class in chemistry
Now I’m thinking ’bout you and me
Let’s get together for some history

If I invite you backstage tonight all right
We just might dance and party all night
Okay day by day into brave and new love

Now I ain’t waitin’ on no old love
An’ I ain’t wastin’ time on slow love
Tonight I’m wakin’ to some fresh love new love
Yeah yeah yeah yeah, all of the above

And maybe if the love grows who knows how it goes?
A few more shows electric glide power slide
Side by side into a tried and true love

So now I’m sowing seeds of strong love
Maybe grows into long love
It all started with a fast love new love
Yeah yeah yeah, all of the above

So tonight it’s fast love new love long love true love
Yeah yeah yeah yeah all of the above
Oh fast love new love long love true love
Yeah yeah yeah yeah all of the above
Hey fast love new love long love true love
Yeah yeah yeah yeah all of the above

– JFS 7/19

Elixr (2022 Remix/Remaster)

Among my recent musical projects has to be remix and remaster my 2018 album Elixr.  I was listening to it back in the spring, and although it was a big step forward for me in terms of musical production at the time, my mixing chops have improved substantially over the last few years and I decided I could do it better.  In the end I decided to get a small batch of CD’s made, and so it took some time to do the artwork and get it printed and all that.  Now the new version of the record is on all the major streaming services, so go ahead and check it out!

Spotify . iTunes . Amazon