Stratification

I’ve been back to work for two weeks now an already it’s back to full-on busy business. It’s also been cold, dark and snowy. We got a good foot of snow earlier in the week and it’s only been up in the 20’s in the daytime. I’m predicting I won’t see my lawn again until March.

Last weekend Martin came down for a visit. Just before xmas he contacted me asking if I’d like some spare parts for my Rhodes piano cuz there were some for sale on Craigslist. The guy was asking more individually for the parts that I was really interested in — the hammer mechanism, the rack of tines, and the pickups — than for the whole thing, so basically I ended up buying a complete Mark III Rhodes sans legs and pedal and with busted electronics. Martin came down last weekend, and we had great fun fitting the parts back in the original cabinet, destined to be stashed away somewhere until. And Jeannie didn’t even complain!

We spent most of the afternoon jamming, which was great fun. Martin mainly called the tunes, from the songbook of his now defunct band. A good handful of interesting 80’s tunes I hadn’t played before, but totally in my zone, by the likes of Sting and Joe Jackson. While we was visiting he gave me a primer on how to use the multi-effects box he lent me in the fall. And best of all, he lent me his old Stratocaster guitar! Martin mainly plays 12-strings now so he’s not using it. Plus he lives in an apartment and Charlie is at the age where he’s getting into things, so partly is was for the sake of guitar’s safekeeping. I hadn’t really been considering a strat, but hey, awesome!

It’s funny too, because my friend Mark, who years ago sold me my old electric guitar asked if he could buy it back. Which is cool, so I asked him for his thoughts on what to replace it with. His advice was to up my budget a few hundred bucks and focus only either a genuine Fender or Gibson guitar. (“Then you’ll have a great guitar that will keep its value.”) Martin’s strat plays and sounds so much better, so now I have a basic of comparison of what a really good guitar sound like for next time I go back to the music store. And when I sell my old axe I’ll have a little extra money for better new one.

Stitch Art Insects

When I was back home visiting for the holidays my Mum gave me a couple of pieces or artwork she kept for me. I was probably about 8 or 10 when I made them. At that time I was into drawing as my main art form, and had already begun dabbling in origami, but this was my one and only foray into needle-oriented art. My Mum is an expert at embroidery, needlepoint and cross-stitch, as well as knitting, crocheting and sewing. My kids got a couple arts-and-crafts gifts this year for Xmas, which reminded my Mum she had this art down in the basement.

As I recall she set up my brothers and I with little handmade canvasses that consisted of burlap stretched across cardboard frame. We drew pictures on the burlap and then filled them in using yarn instead of embroidery floss. I made a butterfly and a dragonfly, as you see. I think Martin made a housefly and a caterpillar, and Jim made a turtle and maybe a lizard.

These were hanging on my wall for quite some time as I was growing up, but I hadn’t thought of them in years. Thanks Mum!

Studio Upgrade

You’ll be happy to know I did get my new mBox 3 Pro. I ordered it from Sam Ash because they claimed they had it in stock but I had a bad vibe about the order. They screwed up the shipping and sent it fedex home instead of fedex ground so I had to cancel the order after they failed to deliver it three times. At least the Sam Ash people told me where to get one at a local music store.

While I was there I had a chance to audition a bunch of electric guitars. I liked four of them well enough to write down the model numbers. Two were Epiphones and two were Ibanezes. The first Epiphone was a Gibson SG knockoff. Dual humbuckers, mahogany body, maroon finish. It played nice and sounded nice. But one of the knobs was missing so I wouldn’t buy it. The next was an Epiphone hollow body modeled after another classic Gibson. Dual humbuckers, four knobs, also maroon finish. It didn’t play right cuz the string for the sales tag was wrapped around the two top strings. But the hollow body felt and sounded good, and reminded me of the main guitar John Lennon played in the late 60’s, a cream colored Gretsch. They had what looked to be a reissue of that guitar for about $2500, way out of my range. So I moved on and saw a nice Ibanez. One was a les-paul style but lighter and with a more agile feeling neck. Played really nice, nice cream color. The last was another hollow also in a cream color and looked alot like that John Lennon guitar, and is my current favorite.

I was surprised to find I really like the sound of those hollowbodies. Playing one feels closer to an acoustic. But I’m not sure if that’s the guitar I want because it seems alot less versatile than a regular electric guitar. For one thing the necks tend to be a bit flatter and wider, which can be both good and bad. For another it seems like some styles would be sort of off-limits with an axe like that. OTOH I don’t really see myself playing metal anyway. I’d rather have a guitar that gently weeps than loudly screams. Anyway people like John Lennon (Revolution, e.g.) and Neil Young have been able to get really hard rocking sounds from hollowbodies. Still, I also like bands like Rush and other that have a more modern guitar sound. (My friend John pointed out that Alex Lifeson played a hollowbody on a number of songs.)

Anyway, I got home from the music store and began to set up the mBox. I did the OS upgrade to 10.5.8, installed ProTools8 and hooked up the hardware on xmas eve. It works great! Michelle helped me get things going. Now she wants to be my apprentice engineer, which is awesome, cuz she has a good head for computers already. So I had her just make some noise into the mic and she decided to sing Away in a Manger. The sound is so good. When I went to play it back, I told her to stop singing now so I could hear the playback. I looked up and she wasn’t singing and I *was* hearing the playback! Later Lizzy came down and did aO Come All Ye Faithful. The new MBox has 2 headphone jacks, which makes this sort of thing alot easier.

Starting to learn PT8. There’s alot of new (to me) stuff in there. Project templates with built in click, nice and handy to get started quick. The built in FX have been upgraded. The basic compressor now has a nice little realtime input/output graph. Lots to explore.

I did a little side project for my mother-in-law she had an old 45 r.p.m. EP of girl scout songs from the 1950’s or 60’s that she asked me to make into a CD. (I’m the only one in the family with a working turntable.) The record was in pretty bad shape with lots of scratches and a few skips. I was able to eliminate a lot of the noise thru a combination of EQ (cut out everything over 4k) and compression (hard limiter to reduce the transients because the the pops were louder than the music) and it sound a good deal better. Still todo is edit out the skips, break the sides into tracks and burn the disc.

Studiowise, next step was to re-attach my midi rig. The new mBox has a single midi in and out, so I could get input from a single controller if all else failed. I have an 8×8 MOTU box that’s been an integral part of my. Last time I tried hooking it up to ProTools on the mac was about two years ago when 10.5 was new, and I totally struck out after lots of hassles. This time it plugged right in and totally worked. Woo-hoo! The other thing was to get SampleTank going again. I downloaded and installed sampleTank for mac 10.5 a month or two ago when I was trying to get up and running with Reaper but no dice. This time it opened in ProTools but my trail had expired. I had a bit of headache with the authorization but I finally got there.

So now I’m up and humming. Began work on Rocket to the Moon tonight. Got a click track and scratch MIDI bass part. I thought I’d lay down a scratch guitar part too using direct inject, but I ran into latency problems. There’s a good 8th or more note delay between the time you play a note and when you hear it in the headphones. Completely unworkable for live tracking. I messed around with the various input buffer dialogs, but to no avail. I’m pretty confident this can be solved if I just find the right control, because for years my old mBox was rock solid with no perceptible latency. I’m wndering if I should deactivate some plugins. Anyway, once I figure it out I’ll let you know.

The plan going forward is to upgrade to 10.6 and PT9 although I’ll probably wait until I’ve completed a song or two in the new setup. I’m also considering getting the digidesign expansion bundle that includes an AI drummer and detailed drum synth/sampler, a virtual analog synth, a fender Rhodes simulator, and some other stuff. Lots of fun ahead.

Up To Eleven

Been on winter break. Time off work and lots of adventures. Rewinding a few weeks, Lizzy had a flute solo at the school Christmas concert. Frosty the Snowman. Nailed it. Also, I took the kids to the American Museum of Natural History one day when they were off from school. The museum people gave me comp passes as thank-you for my contributions to the holiday tree. It was a very cool outing. It’s been a couple of years since we really did the museum. We got to see the iMax movie about repairing the Hubble space telescope, and the planetarium show about the big bang and life, the universe and everything. The kids loved the butterfly house too. Stopped for a a look at the tree too, and convince the guard to let me adjust one of models. The exhibit that really resonated with me was about the race to the South Pole between Amundsen and Scott 100 years ago. Just amazing what a cold and remote place. It’s been a cold December (although the last couple of days things have thawed a bit) and the thought of freezing to death out there just gives me chills.

I spent the first couple days off doing random tasks like defragging the house. I’ve been trying get some shopping done. One of the big ironies of modern capitalism is that there’s pretty much an inverse correlation between how easy it to buy something and how much you need it. I needed new, comfortable winter boots, a new ski jacket and new ski pants. The boots weren’t too hard to find but I struck out on the other stuff. I eventually found that Columbia has tall sizes, and ordered from them online. It turns a triple-extra-large-tall is the best fit. Of course when something is big enough to fit in the shoulders it’s like a circus tent around the waist. It’s a good jacket, though and had drawstrings at the bottom for both the shell and the liner, so I’m happy about that. I finally did get my new mBox too. More on that later.

We had Christmas at our house this year, and Mary’s and Jeannie parents came over. This was a first. In years past we’ve done visiting on xmas eve but this year Mary’s kids were singing in the choir on xmas eve so everyone came over on xmas day. It was very nice.

On boxing day we lit out for a trip upstate to visit family. Got the Jeep all loaded up and ready to go. Only problem was it wouldn’t start. Funny cuz I had a bad vibe out it the day before when I was loading up the skis. Since we got the Prius, the Jeep has only been to the train station and back, and had been driven only once at all the last couple weeks; otherwise it just sat out in the cold. So the battery was dead. I tried to replace it but the bolt was rusted on, and besides it was starting to snow pretty heavily. So we punted on that and took Prius. Had to leave all the ski stuff home, as well as a huge pile of gifts (sorry, they’re on their way) but other than that it turns out the Prius is big enough road trip car for a family of four and handles well in the snow. We just barely got out of town in time. NYC got two feet of snow and was totally shut down for two days.

Upstate was nice. Got to see my parents, Martin and Kathleen, Barb and Al, Larry and Jackie, and Denis and Sara and their families. Caught a Sabres game on TV and a Nova about Antarctica in the 21st century. I’ve still been trying to find a nice warm pair of pants, wool or something. I’d looked online but couldn’t find any in tall sizes. I was telling my dad about this, and it turns out one time he ordered a bunch of woolen pants to wear hunting from an East German army surplus catalog. They came in packs of three in random sizes, so he ordered 2 packs, and of those three of them fit him (ah the joy of being medium). So he gave me an extra pair in tall size. Most random gift ever but much appreciated.

Got home, shoveled out, broke in the new show blower and it proved its worth. Got fixed the Jeep. Watched the ball drop with Nick and his family. Got the kids to pick up their rooms. Finished off a freelance music software project (more on that later), and have been getting going on an origami eBook (more on that later too), and continued with the studio. Which brings us up to eleven.

New Song: WSFBPLAU

Where WSFBPLAU equals (What’s So Funny ‘Bout) Peace Love and Understanding by Elvis Costello. As with all my covers, I chose this song for a few musical and other reasons. First off, although it’s not exactly a holiday song, it’s about peace love and understanding so it’s seasonal in a more abstract sense. (I’ve spent the last few weeks trying to convince my kids that Imagine is not a Christmas song, although it comes up right after Happy Christmas on our John Lennon album.)

Back when I worked at Fox Sports and built their Fantasy Football app, I’d do things when I was testing it like draft a team mode up of all guys names Smith, or of the players with the longest names in the NFL to see if it breaks the software. Similarly, with music I’ve thought for a long time it might be fun to do a set of songs with really long names, like Daddy Don’t Live In That New York City No More, What Is and What Should Never Be, Everybody’s Got Something to Hide Except for Me and My Monkey, and of course the inimitable When the World Is Running Down You Make the Best of What’s Still Around. If nothing else, it points out the weakness of current technology, because (What’s So Funny ‘Bout) Peace Love and Understanding.mp3 doesn’t fit on the screen of my iPod, plus it’s out of alphabetical order and the non-letter characters come out all messed up.

The main reason I chose this song was to do a number with just voice and piano. I had attempted this with Making Miles on the last Buzzy Tonic album, but with that I ended up adding a rhythm section at the second verse and synth solo later. This one remains stripped down throughout. Usually the tendency is to go ballad. I once worked up a piano version of the Chili Peppers’ Knock Me Down that goes in that direction. But WSFBPLAU rocks out, thanks to a propulsive 8th note rhythm in the left hand.

I wanted to see how quickly I could make a song. I’ve been waiting for the MBox3 Pro to become available and did this song partly to fill the void. It took me four sessions of a couple hours each. The first session I set up the project and laid down a piano part. I hadn’t really worked it up, I just banged out the chords like when I sang. The next session I did the vocals, which went down after just a couple warm up takes. Then I went back and redid the piano part with a bit better voice leading and the aforementioned 8th notes in the left hand. The last session was to mix it and add effects.

So here you go. Happy holidays everyone.

Giant Origami Santas

My friend Brian Webb has one of his origami designs featured in a new storefront display here in New York. Brian sez:

If you happen to be in NYC, stop by the Uniqlo store display at 546 Broadway, New York, NY 10012 USA. There you will see huge versions of three Santa models. The display is based on Santa models by Edwin Corrie, Noriko Nagata, and Brian K. Webb (me).

The project was put together and installed by Mona Kim.
http://monakimprojects.com

There are a few pictures of the display on my Flickr site.
http://www.flickr.com/photos/bkwebb/5237424883/
http://www.flickr.com/photos/bkwebb/5237424613/

Tafari

Here’s a blast from the past: a friend recently posted this pic, an album cover from the band Tafari from the early 1990’s, of which I was a member. Tafari was a summer party band and we were only together for a few months, but in that time we gigged out a lot and even managed to record an EP of four original songs. The set was mainly Bob Marley and Steely Dan plus a bunch of reggae-influenced originals and a smattering of other stuff in the summertime party vibe. It was a large group consisting of a singer, drummer, percussionist, bass, two keyboards, two guitars and a three piece horn section. We were kind of an all-start lineup of the Kenmore music scene at the time. Led by Jim Parry, members included Bill Ross, Joe Quebral, Mark Colecchia, Chris Sierzchula, Matt Cline, Mark Hofschneider, Dan Jablon, Paul Bernstien, and your truly. I had thought Martin had sat in on a show but he says no. We pretty much used the money from every gig to buy beer for the next rehearsal.

We did the record Wiser Than Forest of Owls toward the end of the summer. Matt Cline and I did the cover art. Somehow I lost my copy over the years. If anyone has one, I’d love to hear these tracks again. From what I remember it came out quite well, and I even player clarinet on one song.

Music Update 4: The Question of Electric Guitars

So you wanna be a rock’n’roll star
Then listen now to what I say
Just get an electric guitar
And take some time and learn how to play
And if you make the chart
In a week or two the girls will tear you apart

If you’ve been following this blog (it turns out both Captain Hammer and the LAPD read it), you know I got me an acoustic guitar about year ago and have good fun and success in learning how to play it. I seem to have settled into a mode of mainly the folk and rock songs that are good to sing and play rhythm to. I even wrote my first song on guitar a while back and want to put it on my next records. It’s called Rocket To The Moon, and is an uptempo pseudo-punk number (although it has far more than three chords. Eight or nine I think.)

So I’ve been thinking about how to record this song. At one point I had hoped to get it done by Xmastime to submit to NASA song contest for the final space shuttle flight, but that’s looking unlikely right now due to repeated delays of the ship date for the mbox 3 pro. In the interim I took a look at Reaper, the FOSS DAW, but ran into so many issues with the setup I decided to punt for the time being and go back to the original mbox with PT7 to record my last song on the old rig.

It’s a short cover with a long title. I’m trying to do a really stripped down arrangement with just voice and piano and get it done quickly. But it turns out it’s not so easy to have a simple arrangement and make it come across with power and emotion. So I’m kinda woodshedding it now. Still hope to have it done in a couple of weeks, and by then the new box will be out and it’s on to the big upgrade.

Meanwhile in guitarland, Martin lent me a guitar mutli-FX box and amp simulator. I have an old electric guitar and I hooked the two of them together and gave it a whirl. The box is fun and interesting, and has a lot of cool sounds. But the interface is obscure and I don’t have a good handle on how to do more than move thru the presets, adjust the input gain, and select an amp simulation. This gives a good amount of range in available sounds, but there’s a whole effects block I haven’t cracked, with reverbs and tremelos and wahs and flanges all kinds of groovy stuff. Martin is coming for a visit sometime soon, so hopefully he’ll have the time to show me how the thing works. The other issue I have with the effects box is so many of the sounds are heavy metal megadistortion. I’m mostly playing rhythm and strumming, so this is completely wrong. I just want to embiggen my sound a bit. I wouldn’t mind getting a kinda slinky 70’s sound like George Harrison or David Gilmour either.

My electric guitar is an old Guild with dual humbuckers,. It’s okay but not great, so I’ve been thinking of getting a new one. I was also thinking of selling it and thought I might get a couple hundred for it. Then I went on ebay and saw the same model listed at $450 up to $1100. So I guess I should try and find out how much mine is worth.

Picking out a new guitar is a daunting task, cuz it’s not really my area and there’s just so many choices. I’ve been looking online and checking out the guitar section every time I go to Manny’s to see about the mbox. I’ve divided the product space into three main subtypes: Gibson, Fender and other. They seem to go from $300ish to as expensive as you wanna get. One friend thinks I should check out a Telecaster and another recommends Paul Reed Smith guitars. I’m leaning towards a Gibson GS, partly cuz I like the look and partly cuz of the humbuckers. I really need to just go to a music store one day an play some guitars. I tied to a couple weeks ago when I had a day off from work, but I ended up going to buy a snowblower instead.

So for now I think I’m gonna punt on the whole electric guitar thing and record Rocket to the Moon on acoustic and build the arrangement around that. I have another song ready to go after that called Seven Is Magic, an instrumental which I’m gonna do with a sax quartet. I might rename it Sea of Tranquility (or Valley of Serenity) to fit in with the whole moon concept.

I also came up with a bass part for RTTM. Remember what I said about the bass being easy? Well the only thing that’s really hard for me is fast repeated 16th notes on the same note. This is not a pattern I usually favor, but it seemed like I should try it for this song. It didn’t really work so I said to myself what would John Paul Jones do? So the new pattern is based on a rotation of fast moving riffs, a la Good Times Bad Times or Dazed and Confused.

Practicing the Poetry of Curly Braces

For all the pressure and tumult at my job that last few months, here’s one good result: I’m writing the best code I’ve ever written. I feel like I’ve leveled as a programmer (this seems to happen every 6 mos. to a year with me as I integrate things I’ve been learning) and can now do up to 186 points of damage with a single line of code.

I just spent the evening finishing off a huge feature set that had been my main focus the last 2 months or so. Tonight it was just cleaning up code finishing off a few loose ends, but I was able to sit back and look at my code and say, woah, that’s beautiful.

It’s a bit like Denny Diaz says about the mu chord: you have to practice it until you can do it without thinking about it. So it’s been with me and lots of best practices and design patterns that I used to work hard to implement and now they just sort of come to me as my first idea on how to approach things.

A few specific things I’ve really been focused on down in the details dancing with the devil. One is to never repeat any code. Ever. Everyone copies and pastes blocks of codes, and I used to be much more tolerant of it. Now whenever I temped to do that, I look at the block and make it into its own method and call it from wherever I was going to paste it. The other thing is I’ve been breaking methods up and writing shorter and shorter methods. I’ve had as a rule of thumb that if a method doesn’t fit on a screen its too long. Now I’m thinking more and more that in many cases over half a screen is too long.