Change in the Weather

It’s been a long, cold stormy winter. Snow day after snow day all thru the second half of January, all of February and even three more snowfalls the first week of March. Enough already! And then suddenly two or three days ago the sun came out and the temperature rose above freezing. Now the snowpiles have dimished from five feet high to three feet, and you can even see a bit of lawn here and there. On the other hand, the remaining snow is black slush from hell and the potholes are in full bloom. Still, it feel like spring is finally here!

I spent most of the winter intensely busy at work. My previous project ended around the new year, and now I’m making the next-generation content management platform. It’s a whole new technology stack, with HTML5, AngularJS, JSON, Git, Gulp, Lint, Less, Vagrant, Karma, Protractor, with Scala and Akka on the middle tier, and lots of other good stuff. Also a major upgrade to our processes and best practices, including full-on test-driven development and continuous deployment and integration. So there’s been a lot to put together and come up to speed on in a short time. We also have a new and expanded team, including four people from my old group and three new guys with more one the way.

Our team is distributed, with guys in Italy, Poland, Nova Scotia, New Jersey, Queens and Westchester, so I’ve been working from home alot more. We have daily video conferences that include GIT pull requests, code reviews and design and planning sessions, which sometime go on for a half a day. Been also putting in alot of late nights and weekends. Still, I guess the best way to learn something new is to jump in the deep end with full immersion. It looks like I’m past the steepest part of the learning curve now. We have a big milestone demo coming up a couple weeks and it looks like we’ll actually get there.

New Song: Soul on Fire

I realize that I never shared the rough mix of my last song, To Be a Rock. That’s because I sort of parked it once I got the vocals down. It still needs some synths or guitars or something to really make it work. Still not sure exactly what, so instead I decided to put together the next song and bring it up to rough mix too, and then finish them off together.

This one is a jazzy, dancy number, sort of hybrid of swing, funk and disco. The main musical ideas I’ve had hanging around for a while; it just had to be hammered into shape. I did teach myself to play a pretty groovin’ walking bass line for the middle section. The lyrics are just something to sing that sounds good over a song that sounds like this. More or less about watching someone in the audience dance to the music while you’re playing sax at a gig. Inspired I suppose by the funk bands I was in in California. Still, I laid down the vocal track the other day and the performance brought the whole thing up a level. I did three takes straight thru with no overdubs, took less than an hour. Now of course this one needs the arrangement fleshed out too before I can share the track.

…

Soul On Fire

She don’t wanna hear no DJ
She wanna come and see the band play
Ah listen what the man on the stand say

She like a dancin’ and a bumpin’
Ah the room is really thumpin’
Listen then man on the stand tell you somethin’

Spirit in the night
Blinded by the light
In the midnight hour
When my soul’s on fire

She dance till dawn and the devil himself may care
Smoke in her eyes and fire in her hair
Spice in her smile and snakes stare in her glare

She got the groove
Yeah she got the moves
She got the legs
She even got the shoes

I got the horn
And I got the news
I got the sound
I even got the blues

She don’t wanna see no DJ
She wanna go and hear the band play
Listen what the man on the stand say

Gamelon

Last week I got the news that an old friend of mine died in a plane crash. (This brings the number of people I’ve known to die in plane crashes up to three, not counting 9/11, but still zero auto accident fatalities.)

Ted Reinhardt was the drummer and leader of the 80’s prog fusion band Gamelon, one the most successful bands to come out of Buffalo, NY. Gamelan had a unique and very evolved sound, with polyrhythms, angular harmonies, funky bass and three guitar players. One sounded a heck of a lot like Alex Lifeson, the next like Eddie Van Halen, and the third one was way out there, doubling on electric violin. Gamelon was the number one band on the scene when my own band, Event Horizon was gigging around. We were big fans and had seen lots of their shows and got to know them, and ended up doing a bunch of double bills with them. They were some of our best gigs, and theirs too. Gamelon went onto national success, playing on the same bill as Miles Davis in one of his last gigs.

I just got their first album again on iTunes and listened to it after many years. It sounds better than I remembered, with lots of stuff going on I missed back in the day. Anyway Ted was a great drummer and a positive influence on my music career. He’ll be missed.

Band Evolution

Winter lingers and we endure. It’s March already and there’s still a foot of snow on the ground, and it’s snowing heavily again right now. Apparently this February was the coldest on record in 80 years. Damn global warming. The Left Hook inaugural gig was cancelled due to a snowstorm last Saturday. It’s getting rescheduled for April, so hopefully the weather will be nicer by then.

Young Wolfgang Skywalker announced a few weeks ago he was going to leave the band after the gig, one week after he showed up for rehearsal dead-dog tired and lamenting about being buried under schoolwork. Ah well we knew it was a matter of time, and now’s a good time to make the break. We’re bringing in Ken “Dr. Pluto” on bass. He rehearsed with us last week. Hit fit right in, and already know a bunch of our songs, and knows Gary from the jazz circle. He should have no problem getting the set together in the next five weeks. So cool, onward and upwards.

We’re now starting to look for more gigs in earnest, so we need to put together a web site. I recently updated my music site with links and pages to my current bands Left Hook, 7 Jazz West, and The Day Trippers. I had started this as part of my ongoing wintertime upgrades to my web site, but once I was done, a realized that the new pages, even thought they the requisite band info and links to video and stuff, are pretty plain design-wise. So another round of updates in the offing. Unfortunately, I’m really buried under work for my day job right now, so it may be a while until I can circle back. Meanwhile we’ll be recording our next few rehearsals, so we can get some audio up so people can hear our sound. Watch this space for future updates.

And as luck would have it, The Day Trippers seems to have run it’s course. Between the question whether to add another singer, the logistical difficulty of getting together to rehearse, and the lack of upcoming gigs, this looks like the end, at least for the time being. Still it was a good experience and a lot fun, and gave me a great change to work on my vocals.

As one door closes another opens. I’ve been trying to get a project going to play my originals for some time now. I’d asked Ken to join, but he’d been busy with other projects. Now he has one less project (he was in DT too) and is very interested. Also this cat Charlie from the jazz circle, whom I approached in the fall, came back to me in January saying he now has some time and wants to get together and jam.

Charlie and I got together yesterday with me on piano and him on guitar. I showed him six of my tunes. He picked them right up and was really into them. He got down Checker Cab, Get on Back 2 U, and Ghost in the Machine. We also looked at Heat Wave, Your Dancing Shoes, and (IGBA) Beautiful Day. This is great news cuz a lot of guys can’t handle my songs; you need to be proficient in jazz harmony and odd meters. So hopefully we can get together soon with Ken on bass, and then all we’ll need is a drummer.

Animals out of Paper Live

Last night I went to see the play Animals Out of Paper, to which I contributed a few origami models, and many more of my designs were folded by others for use in the production. The play was really excellent on a number of levels. Animals Out of Paper was written by Rajiv Joseph and this production was directed by Merri Milwe and starred David Beck, Nairoby Otero, and Maneesh Sasikumar. Talo Kawasaki was the origami consultant.

This production was in a funky church on the Upper West Side. Off-Broadway theatre is a bit like bar bands for actors. You have some incredibly talented people working on a very low budget, doing great work without the accompanying fame. In this case the play had only three characters, which means that the writing and the acting have to be very good cuz there’s very little else. The story centers on the relationship between an origami master, her protégé, and her protégé’s math teacher who also happens to be her suitor. The actors really brought there characters to life with energy and charisma. By the end, you really care about them and their situation, which is more than you can for the typical modern movie.

Along the way there’s drama and humor, and a good amount of subtext and symbolism without getting cheesy, and a good deal of exploration of the creative process, particularly with respect to the question of loss and loneliness. Origami is the vehicle for all this, so there’s also a good deal of origami culture, actual technical knowledge, and even some in-jokes. The playwright is not (as far as I know) an origami guy but obviously cares a lot and spent some time at origami conventions and talking to folders, and he really got that stuff right. I have a friend who works at NASA and I was thinking this is how Steve must feel when he watches Star Trek. I mean, it sounds like the actors understand how a spaceship actually works.

Animals Out of Paper is an excellent play, very well written, and this production was brought to life with excellent actors, direction and origami. Unfortunately last night was the end to the run, so you’ll have to wait for another revival to see it.

Paper Galore!

Back around Xmastime Brian Webb of OrigamiShop.us gave me a bunch of paper, to fold a bunch of things. Well this project is now complete (or at least the first batch); all that remains for the weather to clear up so I can get out to the post office. I folded some nice models and discovered some interesting papers along the way. Here’s the rundown.

Bear Hide – This was the first paper I tried, and the first thing I folded, naturally enough, was a Bear. Next was a Moose. The Bear was from an 8” square and the Moose from a 16” square. This paper looks and feels a bit like plain brown paper wrapping paper, except it’s thicker and tough, much link Wyndstone. Very foldable, perfect for models like these. An excellent paper, didn’t even need to wetfold. I’ve already used up my stock; must reorder.

Grainy – this came in a packet of 50cm sheets in a variety of colors. It’s another very nice paper. Bright colors, a bit on thick side, but not super-thick, with a bit of shine and texture on the surface, and springiness in the folds. I folded one of my Roses out of a 8” square. It came out very nice, better than the ones I usually fold out of kami. I also folded a Dragon from a 16” square. It also came out really nice. I had to wetfold a couple spots where the layers built up. Another really excellent, foldable paper.

Thai Duo – this paper is on the soft and thick side, and has a fuzzy texture. One side is either brown or blue, and the other is white (or at least a whiter shade of pale). I’ve been looking for a long time for a good paper for two-colored models, and this quickly became my favorite, at least for brown and blue subjects. I only had one 16” square so I divided it into four 8” squares. I made two foxes and two walruses and they all came out great, even at that small size. Again, no need for wetfolding. Imma order some more of this in brown to make a larger fox and some in blue to make a narwhal. Having finally found the right paper I can put those models to rest.

Rhino Hide – I made an Elephant because I don’t have a design for a rhino and didn’t feel like coming up with one. I used a 12” or 14” square. Rhino hide is another really good paper. A lot like Grainy but maybe a bit thinner, shiny one side.

Lokhu – this was paper I didn’t know before. The paper is thin, with a bit of a fibrous sheen to it, a bit soft, very interesting. I folded a Giant Squid out of 19” sheet. The model has a lot of layers which made it appropriate for thin paper. I had to wetfold it at the end so the tentacles would keep their curl, but it turned out great.

Agua – this is another paper I didn’t know before. It’s very beautiful, and thin but strong, with a texture on one side and kinda waxy on the other, and very crisp to fold; it almost resembles origamido paper. Normally I don’t work in style that requires this kind of paper; my preference runs to the ticker side. So I tried a few models to see what would work. I folded one of my roses, which came out nice enough, but perhaps not as soft and sculptural as I’d have liked. I folded one of my Penflower tessellations. That came out quite striking looking. Getting warmer. Then I tried on of my new Butterflies. These came out absolutely fantastic. Just the right kind of model to take advantage of the thinness and crispness of the paper. The winds are nice and sharp and the texture adds a lot to the appearance. The paper was thin enough to the legs and antennae, even working from a 6” square.

There’s lots of other papers still to explore, so I hope to have an update in the springtime. Meanwhile, thanks Brian!

The Debut of the Left Hook

My rock band, the Left Hook, is playing it’s debut show later this month. This is a really smokin’ group, with a great sound and loads of great material including funk, soul and classic rock. I’m playing sax, piano and singing. We have three strong vocalists and lots of harmonies, plus a slammin’ rhythm section, tasty guitars, everything you need. Here’s the info:

…

LEFT HOOK
Music with a punch!

Westchester’s newest rock and soul party band appearing live
Saturday February 21 9:00 PM
at The Fisherman’s Net, 129 6th St. Pelham, New York

Animals Out of Paper

I recently completed a new origami commission. It’s a pair of dogs to be used in a revival of the play Animals Out of Paper by Rajiv Joseph. This is my first commission for the legitimate theatre. The dogs are based on my Timber design, although I modified the proportions to give them each an individual character. The paper, provided by Talo Kawasaki, the production’s origami consultant, is 18” Canson in bright red, so the models are large and also quite sturdy.

Animals Out of Paper is playing in February at West Park Church on 86th Street in Mahnattan. You can find out more about the production here.