It’s a Knockout!

The Left Hook debut show was last night, and it went great! I’m happy that all our planning and hard work is paying off. Everyone in the band is psyched too. It’s a great set, a great sound and a great group of musicians. I handpicked the lineup from the best musicians I know, all seasoned pros. It’s great that they all agreed to join, get along well, and are enthusiastic and onboard.

I’ve been with Gus, our drummer the longest. Really solid drummer, and loves old soul music in particular, just great with groves and pockets. It was just about a year ago The Relix broke up, and we’ve been trying to put together a new group ever since. Gus also has been handling the business side of things, for which I’m grateful, cuz I’ve been focusing on the music and sound side.

Meanwhile Ken came in just at the end of February and learned 40 songs in six weeks. Not too shabby. He was the bassist in the Day Trippers as well as 7 Jazz West, so it this point I’ve played quite a few gigs with him. Also known for his collection of vintage bases.

Mike Jefferson is our lead singer. He’s was in a band with Gus once before and joined us right after the Relix, and stayed on as we went thru a few bass and guitar players. A former heavyweight boxer, born and raised (partway) in England, he has a fondness for prog and folk rock, but can sing really well in a lot of styles. Very powerful voice. Just nails it on the Doors and James Brown, and all the soul stuff. He’s also a music journalist and beats us all hands-down in the music trivia walking encyclopedia department. And in true lead singer rockstar style, he was hitting on the ladies before the end of the first set.

Gary Bruce on guitar came in after sitting in with the jazz circle one day and before he got done with his first eight bars I knew he’d be great for this group. The kind of guitar player who loves Steely Dan and Rush! Right on.

Because this gig got rescheduled twice, we didn’t have alot of our own people come out. In fact it was just Jeannie, who was there to shoot video for us, and our friend Gary the trumpeter from the jazz group. But the place was half-full when we got there, and we had them by the time we finished the sound check.

It was a good test for a lot of things, including my new PA. I learned we need a good hour to set it up and soundcheck. I also learned it works really fucking amazingly. After the disaster Day Trippers gig last December I realized having control of the vocal sound is the most important thing for a club date.

The sound system has two 1000-watt main speakers. I optimized for lightness, since you gotta get ‘em in and out of the car and up onto poles. Then there’s a pair of 300 watt stage monitors. I didn’t know if this would provide enough coverage, especially for the drums in the back, but everyone could hear just fine. I was running the mixer from the stage, but once the soundcheck was over I literally didn’t have to do anything and could just relax and focus on performing. The mixer, BTW, I chose for it’s built-in compressors in the channel preamps, it’s onboard reverb/chorus/delay effects that saved us from having to schlep another piece of gear, and it’s separate monitor buss. All in all it worked great, and we got that fat live vocal sound I was really after.

Once we got underway it was pretty clear the people at the bar were really digging it. Must’ve been the right place for this kind of music. We opened with a couple funk numbers – Them Changes by Buddy Miles and I Got You by James Brown. Good horn tunes, right in our zone. Then it was some classic rock to show off our harmony singing – No Matter What by Badfinger and When I Saw Her Standing There. Next was the Blue Öyster Cult classic Burning for You, with yours truly on lead vocals. Then a couple of organ songs – Hush by Deep Purple and Magic Carpet Ride by Steppenwolf, followed by Gary doing a little SRV Pride and Joy. Then it was back to soul music with Knock on Wood and Get Ready. We ended the set with Can You Hear Me Knocking by the Stones, which turned out to be a real highlight.

The second set opened with We’re An American Band, and on to (Ain’t Nothin’ But a) House Party, and switching to sax for Domino. I sang lead on You May Be Right, and then Drift Away with Gary on lead vocals, and some random chick from the bar who looked and sounded a lot like Katy Perry sitting on background vocals. I guess she’d been hitting on Mike or vice versa, but she really could sing. Then it was Love Me Two Times, which was a bit rough for structure, and Pretzel Logic which was a bit rough for tempo and feel. We closed the set strong with a string of soul numbers – Devil With a Blue Dress/Good Golly, Dance to the Music, Hold on I’m Coming and Soul Man.

The first two sets ran an hour each, so the last set was shortened a bit. Songs included Come Together, Long Train Running with me on lead vocals, Rikki Don’t Loose the Number with Gary on lead vocals, Miami 2017 with me on lead vocals again, then In the Midnight Hour, Mustang Sally, and closing with Roadhouse Blues.

They invited us back to play again, and possibly do a regular gig there. So ya, good feelings all around. And we got it on video so we can put together some material for the web site and to try and get new gigs. Meanwhile we have a show in two weeks at Dudley’s in New Rochelle. Gonna spend the next couple rehearsals tweaking and tightening. Come out and see us on May 9!

The Return of the Debut of The Return of the Debut of the Left Hook

I forgot to mention, our cancelled gig at the Fisherman’s Net has been rescheduled yet again. Now it’s on for this Saturday, April 25. I guess that means they’re open for business again. I wonder if the bar owner is gonna give the boys in the band a 1099.

So once again, Left Hook remains a really smokin’ group, a real knockout. We have a great sound and loads of great material including funk, soul and classic rock, and are even better rehearsed than before. I’m playing sax, piano and singing. We have three strong vocalists and lots of harmonies, plus a slammin’ rhythm section, tasty guitars, everything you need. And now we have another two weeks rehearsal. Here’s the info:

LEFT HOOK
Music with a punch!

Westchester’s newest classic rock Funk & soul party band appearing live
Saturday April 25, 9:00 PM
at The Fisherman’s Net, 129 6th St. Pelham, New York

and if you can’t make that come see us:

Saturday May 9. 9:00 PM
Dudley’s Bar & Marina
94 Hudson Park Rd. New Rochelle

The Return of the Debut of the Left Hook

The debut show of my rock band, the Left Hook, was scheduled for last month but postponed due to the weather. We now have a new date: Saturday April 11. We also have a new bass player, Ken “Dr. Pluto”, replacing young Wolfgang Skywalker.

Left Hook remains a really smokin’ group, a real knockout. We have a great sound and loads of great material including funk, soul and classic rock, and are even better rehearsed than before. I’m playing sax, piano and singing. We have three strong vocalists and lots of harmonies, plus a slammin’ rhythm section, tasty guitars, everything you need. We have a new poster too. Here’s the info:

LEFT HOOK
Music with a punch!

Westchester’s newest classic rock funk & soul party band
appearing live

Saturday April 11, 9:00 PM
at The Fisherman’s Net, 129 6th St. Pelham, New York

The Debut of the Left Hook

My rock band, the Left Hook, is playing it’s debut show later this month. This is a really smokin’ group, with a great sound and loads of great material including funk, soul and classic rock. I’m playing sax, piano and singing. We have three strong vocalists and lots of harmonies, plus a slammin’ rhythm section, tasty guitars, everything you need. Here’s the info:

LEFT HOOK
Music with a punch!

Westchester’s newest rock and soul party band appearing live
Saturday February 21 9:00 PM
at The Fisherman’s Net, 129 6th St. Pelham, New York

The Left Hook

Great news! My rock/funk/soul band now has a name. We’re calling ourselves Left Hook. Music with a punch, ya! This actually went down a few weeks ago but I’ve been busy with other things. Right now we’re on break until the new year, as are all my other groups. With Left Hook we’re getting close to having three sets of material down, and it’s shaping up to be a really smokin’ sound. So happy to be in a group where everyone is a good musician. Now that we have a name, we’re putting together a web site, and gonna record a demo of 8 or so of our best/tightest songs in the new year. Gonna do that off the board in the rehearsal studio, and come home and fly it into ProTools to mix. Oh and I gotta write a bio too.

And to top it off we have our first gig Left Hook coming up in February at a bar in New Rochelle. More on that as the time grows nearer. For now, we have maybe 6 rehearsals and gotta add 6 or 8 more songs to round out the set. Mostly soul and Motown classics that we all know already.

In case you’re wondering, the last Beatles gig was a bit of a mixed bag, due to problems with sound and power. We set started well enough, with good energy and musicality. The place was only half full but the people were into it. Got in some new songs that sound quite good, including Taxman, Rain, Hello Goodbye and Come Together. But as we went on the volume got louder until it was hard to hear the vocals onstage thru the primitive PA. Toward the end of the first set the power went out on the stage. I guess we blew a fuse. It took a long time for the bar to fix it, and after that the vibe just wasn’t the same. We ended up skipping the Abbey Road medley, much to my disappointment. Ah well.

Between the two groups, as well as the 7 Jazz West, this means I’m now looking to buy a PA to fill a small to medium sized room: something like a pair of 12” mains at 300-500 watts each, with a premium on lightness for the schlep factor; a 12 to 16 channel mixer (we need at least five XLR ins for microphones – four singers plus a sax in the Left Hook, even more if we wanna mic the drums) with built in reverb and compression so we can get a fat vocal sound live; maybe as many as 4 monitors so ensure coverage on stage. Right now I’m leaning toward powered speakers because then we can daisy chain them together for more power if we ever need it. Also non-powered mixers seem to have more flexibility in terms of bussing. So we’ll see how that goes.

Also, 7 Jazz West has a gig coming up in a few weeks and we’re doing My Favorite Things, with our interpretation based mainly on the John Coltrane version. During the Xmas Cabaret I played my soprano sax for the first time in a long while. It has a problem with the joint between the neck and body being loose. I think it may be even be a little leaky cuz its hard to play certain notes softly. So I’m looking to get a new soprano sax too. Hello Craigslist!

The Left Hook

Great news! My rock/funk/soul band now has a name. We’re calling ourselves Left Hook. Music with a punch, ya! This actually went down a few weeks ago but I’ve been busy with other things. Right now we’re on break until the new year, as are all my other groups. With Left Hook we’re getting close to having three sets of material down, and it’s shaping up to be a really smokin’ sound. So happy to be in a group where everyone is a good musician. Now that we have a name, we’re putting together a web site, and gonna record a demo of 8 or so of our best/tightest songs in the new year. Gonna do that off the board in the rehearsal studio, and come home and fly it into ProTools to mix. Oh and I gotta write a bio too.

And to top it off we have our first gig Left Hook coming up in February at a bar in New Rochelle. More on that as the time grows nearer. For now, we have maybe 6 rehearsals and gotta add 6 or 8 more songs to round out the set. Mostly soul and Motown classics that we all know already.

In case you’re wondering, the last Beatles gig was a bit of a mixed bag, due to problems with sound and power. We set started well enough, with good energy and musicality. The place was only half full but the people were into it. Got in some new songs that sound quite good, including Taxman, Rain, Hello Goodbye and Come Together. But as we went on the volume got louder until it was hard to hear the vocals onstage thru the primitive PA. Toward the end of the first set the power went out on the stage. I guess we blew a fuse. It took a long time for the bar to fix it, and after that the vibe just wasn’t the same. We ended up skipping the Abbey Road medley, much to my disappointment. Ah well.

Between the two groups, as well as the 7 Jazz West, this means I’m now looking to buy a PA to fill a small to medium sized room: something like a pair of 12” mains at 300-500 watts each, with a premium on lightness for the schlep factor; a 12 to 16 channel mixer (we need at least five XLR ins for microphones – four singers plus a sax in the Left Hook, even more if we wanna mic the drums) with built in reverb and compression so we can get a fat vocal sound live; maybe as many as 4 monitors so ensure coverage on stage. Right now I’m leaning toward powered speakers because then we can daisy chain them together for more power if we ever need it. Also non-powered mixers seem to have more flexibility in terms of bussing. So we’ll see how that goes.

Also, 7 Jazz West has a gig coming up in a few weeks and we’re doing My Favorite Things, with our interpretation based mainly on the John Coltrane version. During the Xmas Cabaret I played my soprano sax for the first time in a long while. It has a problem with the joint between the neck and body being loose. I think it may be even be a little leaky cuz its hard to play certain notes softly. So I’m looking to get a new soprano sax too. Hello Craigslist!