Catching Up

Busy these days with work and lots of stuff. So here’s catching up on a few random things. Work has been busy and problematic, and I’ve putting in extra evenings and fixing other people’s bugs to keep things on track. I think we turned a corner mid-week last week. We have a release coming up this week, and now we’re in good shape.

My book has been done for a couple of weeks, but now I’m waiting on the publisher to get back to me.

We got our xmas tree up today. A nice wide bushy one. Lots room for ornaments. Went out to pick one up in the rain. Always a nice feeling to have the tree up.

I’ve been starting to get back into the music recording thing, picking up my half-finished third Buzzy Tonic album. So far the focus is on playing. I have a backlog of half-written songs, so I think I’m gonna work them up to play and sing live before I get back into tracking. Ought to go faster with the arrangements worked out and under my fingers.

The other day I was showing Michelle how to hammer-on on the bass. I’m kind of a lazy bass player and will often hammer-on or pull-off when I’m doing a fast chromatic riff, just so I don’t have to articulate the note with my right hand. I use my thumb on the right hand alot, especially on the bottom two strings. I generally switch to fingers-only as a tonal effect, from rounder to punchier. So my hammer-ons and pull-offs on the bass are really quite solid, which is weird since I’ve never really consciously worked at it.

One of the most amazing musicians I’ve ever played with was this cat Jim Wynne, who was a master of the two-hand tap technique on the bass. I little two-handed-tap blues improvisation for Michelle to demonstrate his style, playing the bass line in the bottom two strings with my left hand and tapping the 3rd and 7th on the offbeats on top two strings with my right. To my surprise it came out sounding really good! I guess it’s not that different than piano. I’m gonna have to work a part like that into one of my songs.

The girls are having a good fall. Yesterday they had the holiday show at the performing arts group they belong to, Young at Arts. Michelle has been working out Do a Deer from The Sound of Music by ear on the piano. Talented girl. Meanwhile Lizzy is enjoying being in 8th grade and her grades are up, and that comes at a good time. She’s finally getting algebra. She was cast as one of the leads in her school play this winter. The theme of the play is New York, and the songs are all taken from classic shows, with an original story to string them together. She has six songs. Her character is British, so she’s been having fun practicing her accent. I’m going to be playing in the band again this year. I got the list of songs and put together a playlist. It’s a fun set. We listened to it as we put up the tree today. It has two different songs called New York New York.

By The Book

Last weekend I finished the intro text for my book, and the stuff for the symbols and basic folds. Now that my origami book is done I’m looking to start in on some new projects.

I was at the music store last week to buy some clarinet books for Michelle, and bought a couple really good music books for myself too. One is Bach for the Electric Bass. This is great fun to play so far. The first two pieces in the book are the two parts of a two part invention. The first has regular notation and tab, and the second only notation. It’s really good for practicing reading in the bass clef, and also works really well as a source for riffs for walking bass lines. The lines lay really well.

The other book is called Metaphors for the Musician by Randy Halberstadt, and its a jazz piano theory and practice. I already know lots of theory, and while in theory there’s no difference between theory and practice, in practice that’s not always the case. This will be a good book to help me get it together playing-wise and take it to the next level as a performer. Just what I’ve been looking for. The need was inspired by my desire to take a solo at the end of Checker Cab, while still holding down the bass part. I have to come up with a melodic right hand approach that works with the in-the-pocket bottom, sounds good, and is possible to play.

Right now I’m reading thru the book, but it’s designed to be used at the piano, so once I’m done I’ll start over at the keyboard. It will take a few months. Lots of deep harmony theory, very well laid out, and more general stuff about how to approach comping and improvising that transfers into playing in general. One thing he stressed early on is the importance of playing slow and keeping good time. I know I tend to rush, and I don’t play with a drummer that often, so I’ve started practicing with the metronome again, and in general just taking everything down a few BPM to work on a more relaxed feel. That alone is already making a difference. Especially on a song like Heat Wave or Steppin’ Out.

I also got a book of arrangements of songs from the various Mario video games. Some of them are pretty hard. And a Soundgarden songbook. They were my favorite of all the grunge bands of the ‘90’s and I recently got turned on to them again. Chris Cornell is a genius with his singing and his use of melody and out meters. Unfortunately the book is in guitar tab, so it’ll take a pretty good amount of work to make piano adaptations. Still, it’s faster then doing it by ear.

Martin came over last weekend with the family, and we had a little time to jam. Matrin always has a knack for picking interesting covers, and so now I’m working up Breaking Us in Two, which I knew once a long time ago but forget. Perfect song for me to sing on.

Wild and Scary

We usually put our Halloween pumpkin out on the front stoop. The local critters nibble at if for a while, and then sooner or later there’s rain and it starts to turn mushy and we have to get rid of it. This year we haven’t had any rain, and the squirrels have really be having a feast, so it’s looking, uh, really interesting.

In other news, Lizzy turned 13 recently. Yes I am now the parent of a teenager. She’s also now 5’7”, having really shot up the last few months. That’s a few inches taller than her mother. Wow. We had a party for her at our favorite local restaurant, the Oriental Palace. It was in the post-hurricane period and feels like a blur to me. After her birthday party Lizzy went on a shopping date with her friend Ella, who shares the same birthday, and bought lots of clothes. They were very excited.

Meanwhile, Erik and I resumed jamming. At this point we’re a little rusty, but it feels good to get back in it. Like I said, now that my book is done, getting back into playing music is a major goal for the winter. This includes doing a few more live gigs.

We had a wonderful Thanksgiving at Jeanne’s parents house. Not thinking about work for a few days. Mary and Lou were there. They’re in the middle of putting a second story on their house. Looks like they’re off to a good start. It only took a week get the walls, roof and windows up. Lou wants to record and EP of some more of his songs and asked my to produce it It sounds like a fun project.

Michelle is all excited about a new Nintendo thing she wants to get.

Diagramming is Done!

I’ve hit a major milestone on my book. Make that *the* major milestone. All the diagrams are done. Twenty-two models, almost 900 drawings. That’s 123 page without the intro or the photos. Wow and woo-hoo. If I weren’t so tired I’d be all in the mood to party.

It was alot of work and it seemed to take a long time to finish. My publisher was very patient. The last model turned out to require more diagrams than I’d estimated. The American Turkey ended up at almost 100 steps, by far the longest model in the book. I’d figured on 70 or so. But it’s totally worth it. It’s a very popular model; I’ve taught and exhibited it before and it always gets a great response.

And I must say, I’ve gotten alot better and faster at diagramming over the course of working on this book, especially in the last few months.

All that remains now is to write the intro. That should be an easy task by comparison. Soon I’ll be able to get back to working on music, upgrading my we site and a bunch of other origami ideas I have that aren’t part of this book.

M.I.T. Origami Convention

It already seems like ages ago, but just this last weekend I went up to Boston for MIT Origami Convention, a.k.a. OrigaMIT. The conventions was put on by the MIT Origami Club under the leadership of Jason Ku. It was smaller than the OUSA convention in New York, but certainly big enough to be a lot of fun. MIT and the Boston area have some pretty heavy folders, and MIT is a really fun place to hang out.

I drove up Friday night with my friend Marcio. We both work in the city and live in Westchester, so we met a Grand Central and took the train back to my place. We took Jeannie’s car cuz it’s a Prius and gets amazing gas mileage. I actually got 52 mpg on the ride home! The trip up was smooth, except navigating around Boston once we arrived was a bit dicey. We stayed in a hotel not too far from Cambridge.

The convention was held at the MIT Student Union. It was easy to get to and find parking. I was teaching and exhibiting, so I brought diagrams and models. About half of models were brand new, including the Cuttlefish and Giant Squid; some were new-ish including the Armadillo, Turkey and some Tessellations. A few were classics, including my UFO, Rocketship, and War Elephant. The diagrams were the last few from my book that have yet to be test-folded: the Cuttlefish, Giant Squid, and Turkey.

As with most conventions it was organized into sessions that were either classes or seminars. The first session I went to was Erik Demaine, an expert in origami mathematics. He basically showed us slides and talked about his course (http://courses.csail.mit.edu/6.849/fall12/). I was familiar with some of the material cuz I’ve read his book, but it was all really fascinating stuff. Afterwards I had a good discussion with him about origami polyhedra design.

At lunchtime I went for a walk along the Charles River by the MIT and Harvard campuses. It was a beautiful fall day, and the riverside walk was full of people strolling, biking and jogging. I hadn’t been to Boston for a few years, although it seems like every time I’m here in end up in Cambridge. Anyway, I’d forgotten how nice it is down by the river and the park. Very Not New York.

After lunch I taught my course. It was cephalopods, the Cuttlefish and the Giant Squid. The class proved to be very popular. I had diagrams for both models, which I passed around at the start. Then I folded both models for anyone who wanted to follow along, which was most of the class. These are both pretty advanced models, somewhat more than I’d expected, but the class did a really good job. I folded the Cuttlefish first. That took close to an hour, and it was a two hour class. A lot of people were not fast in developing the tentacles. That comes near the end but is fairly repetitive. Then we started the Squid but ran out of time, again cuz there’s lots of repetition in developing the tentacles. The good news was everyone was so into it that when class ended, we all went down to the hospitality area to finish. I got good feedback for the diagrams and the models along the way. Mostly they were both very foldable and people really liked the models. As usual there were some minor errors and steps that could do with a bit of clarification.

After that I sat in on Michael Lafosse’s class. This was the perfect compliment to Erik’s class. Michael is a master folder and designer and has some beautiful complex models, and quite a few books too. He also runs a paper making studio for making high-end origami paper. One more thing he’s known for is his butterflies. He’s got lots and lots of butterfly variations, and this class was about that. These are intermediate level models, so the focus was much more on the artistic side than the technical side. Most complex models have a sculpting/finishing phase at the end, and this class was all about exploring that for butterflies. Toward the end I remembered a butterfly design I was working on, and dusted it off and began to get back into refining it. For me the major challenge was developing the points for the legs. I realized if I changed the geometry at step 3 it’s open up more paper.

After classes was dinner and hanging out folding. Some there asked me about the tessellations in my exhibit, so I ended up teach a group how to fold one. These seemed like such a simple idea to me at the time, that you could work out how to fold it jut my looking at it. But people seem to really like it, and it turns out (since it doesn’t use a square grid) there’s a bit of mystery involved. People keep asking me about the tessellations. I’ll keep them in mind for the next book.

I also had my Turkey diagrams test folded by a fellow folder named Mark. Even though the diagrams are not complete, we got thru to the end, and I showed him how to finish. This is definitely the most complex model in the book. We were hanging out and talking the whole time, bit it took three hours to fold. Still, I’m happy Mark got thru it. It’s a worthy model and I got good feedback.

As Saturday turned into Saturday Night lots of students were meeting at the student center dressed up for Halloween going out hit the bars. Rule 63 Guy Fawkes. Ah college life.

Sunday Marcio and drove home, trying to beat the storm. The wind was picking up already, and we passed several convoys of utility trucks heading east. Jason was supposed to fly back to Japan Sunday. I hope he got out okay.

The big goal for this weekend is to finish my book, which basically means finishing the Turkey diagrams. Oh, and cleaning up my yard. I’m really looking forward to being done with diagramming and getting back working on other things like music.

Rush In Brooklyn

Last night Jeannie and I went and saw Rush play at the Barclay Arena in Brooklyn, named after basketball great Charles Barkley, although I don’t think he ever played for the Nets, and I can’t say why they got the spelling wrong. The arena is brand new and only a few blocks from where we used to live. This site was formerly a train yard, an open pit on a triangle of land that was sort of a dead zone in downtown Brooklyn, something you’d have to walk around. I hadn’t been back there since they broke ground on the arena, but it’s good to see it finished. Apart form the overbright animated jumbotron marquees, it’s a very nice arena.

The show itself was great. Rush has a new album out, Clockwork Angels, which is full of great material. The first set concentrated on material from their 80’s synthesizer phase, song like Subdivisions, Big Money, Force Ten, The Body Electric, Territories, and The Analog Kid. I think they played about half of Power Windows over the course of the night. For the second set they brought out an 8-piece string section. They opened the set by playing most of Clockwork Angels, 9 out of 12 songs. The string players had some good rock’n’roll headbanging choreography in addition to filling out the sound on the new songs. The CA material ranged from complex and ripping metal to much more layered and gentle stuff. “The Garden” was a standout and closed that part of the set. The string ensemble stuck around as they hit a few more classics with the strings taking on what was formerly the synthesizer part. These included Manhattan Project, Red Sector A, and YYZ. Then the power trio wrapped it up with a few of their greatest hits, including Spirit of Radio, Tom Sawyer, and 2112, parts I, II, and VII.

Alex’s guitar broke down in the middle of Temples of Syrinx, so he improvised a goofy little dance while his roadies scrambled to provide a replacement. Meanwhile Ged and Neil carried on and it worked just fine. Alex came back in just in time to do to solo leading into the finale.

I really enjoyed the selection of music. Even though they skipped a lot of songs you might expect, they played a lot of great stuff you didn’t expect, and besides, I heard those other songs last tour. It’s good they’re continuing to present new things. The new material is great, and the rest put an interesting focus on a sometimes-overlooked phase in their career. It was the phase where I first started seeing the live, as it happens. As musicians, these guys just keep getting better. Geddy’s still got it in voice, and his bass chops are flawless. Alex Lifeson has such range, diversity of styles he can play, and roles to fit in with the music. And of ocurse he’s a world-class soloist. Plus all those pedals. Neil Peart’s playing is fast and precise as ever, but he’s also found a new level of fluidity. You can hear the way he pushes and pulls the groove in different songs, and for all his speed, he somehow looks like he’s moving in slow motion. Put them together and they’re great ensemble players, and the songs really bring that out.

It was a fantastic show. I sure hope they put out another album and come around again.

More of the Same

Am I in a groove, or in a rut? Who knows? On the book front, all the photos have been cropped, color balanced, edited, retouched, mastered and delivered to the publisher. 140 pictures, 12 GB upload. Thank you Bob! My last two diagrams are the Giant Squid and the Turkey. I’m to step 50 on the Squid, which is the tricky part. It looks like it’ll be about 65 steps. I hope I can finish it tonight. I’m up to step 65 on the Turkey, and I’m estimating 80 steps and hope to finish that within the week. These are the two most complex models in the book, but the light is at the end of the tunnel.

But even though I’ve been working hard, other interesting stuff is in the offing. The fall weather has been beautiful. Been getting to spend some time outside, although it’s getting light late and dark early already. The kids are alright. Work is mellow at the moment, and I’ve been working out and my health has been better again lately.

I’m planning on going to the MIT Origami Conference later this month. It should be a great time. I’m teaching and exhibiting, and it’ll be great to see the MIT origami people. Got to work out the travel logistics, which really means finding a hotel room.

Been working on learning some new songs. I’ve taken a break from writing and recording until my book is done, but I’ve been practicing. I can now sing and play eight of my own originals on piano. Recently added “Fine Red Wine” and “Angel or Alien” to the repertoire. Plus a couple new covers: “Stepping Out” by Joe Jackson and “Thunder Road” by The Boss. At least a few of them are pretty hard songs to play but I’ve gotten to the point where I know them well and continue to sharpen the arrangements and performance.

More Origami

I’m getting to the home stretch on my book. I have all the models (22) designed and folded and all the photography done. I came up with three new models for the book in the last few weeks. Two were the Cuttlefish and Giant Squid, to create a Cephalopod group along with my Octopus. I tried and tried to design a spider but never came up with anything I liked.

For my last model I designed a Lean-To, to go with the Canoe and Adirondack Chair. I really wanted one more intermediate model. This one clocks in at 34 steps, but most of it is pre-folding and it only takes 10 or 15 minutes to fold. And I got the diagrams done in two evenings! I guess I’m finally getting faster.

I went over to Bob’s one night last week to finish up the pictures, and they came out great. I have only two more diagrams to finish now, the Squid and the Turkey. They’re both more than halfway done but they’re complex models, so they have a lot of steps. After the last drawings, all that remains is writing the intro and the basic steps.

In other news, our big Q4 release of my software at work is in QA now. Really looking forward to taking a break.

Went up and saw Martin and Kathleen yesterday and picked pumpkins and apples and grapes. This seems to have become something of a fall tradition.

The weather has been really warm thru the end of September, to the point where we still have our air conditioners in. But there’s also been a lot of rain. Warm and humid. Until yesterday, when it got cold all of a sudden. Now it’s only getting up to the 50’s and we’ve had to turn on the heat.

Origami Giant Squid

I came up with another new model this weekend to round out the cephalopod chapter in my book: a giant squid.

In other news I bought a song book of 60’s music on ukulele for Michelle not to long ago. She’s been learning a bunch of Beatles songs out of it, and I’ve been playing along with her on piano and guitar from time to time. She’s been asking to watch A Concert for George since I told her Paul does a version of Something on the uke, so yesterday we sat down and watched it.

On the downside, my music project with Erik had kinda cooled. I’ve been working up some new songs, but we haven’t had the time to get together and jam for a while. I want to get some gigs lined up for the fall, but I guess that’ll have to wait until I’m done the deliverables for my book. Ah well.

Origami Cuttlefish

I’m in the home stretch on my book. I folded a whole bunch of new models this weekend to try and round of the list of photos. In particular I’ve been getting sets of models that go together well for the group shots. I also have a few new designs to complete. One of them is for a Cuttlefish, the enigmatic cephalopod famous for its ability to change the color and pattern of its skin. This has been on my list for a long time. When we were in Florida last month I saw some cuttlefish up close in a tank in one of the aquariums we visited, and I feel like I got a really good sense of what this creature is about. I’d been thinking about how to fold a cuttlefish for a long time, so when the time came the design came together quickly, and I’m really happy with how it turned out. Properly C’htulluesque. It’s a nice intermediate model. Nothing too complex in the folding sequence or diagrams. I folded a few out of different color papers. This one out of an 8” square of Wyndstone. He’s resting, just being monochromatic. I need to find some crazy paper that will change colors once folded!