Summertime Blues

Last weekend’s gig went well. An important milestone, our first full-length gig. We played for a smallish but appreciative crowd and the set went over well. Eight originals and ten covers in two sets. It’ll be a few weeks before we can get together again because of vacation schedules and whatnot. Hopefully in the fall we’ll start picking up more, bigger gigs and work on getting a rhythm section.

Meanwhile work has been busy and stressful. At least this weekend, there’s nothing going on and I can some time to recharge.

Froyo Gig

Here’s an announcement that we will be performing live next weekend:


The John Szinger – Erik Blicker Duo

Saturday, July 21 at 1:00 PM.

Beanberry’s Cafe & Frozen Yogurt Bar
265 Huguenot St., New Rochelle NY

Lots of good stuff, classic rock, blues and a good mix of old and new, covers and originals. Come out if you can. This is a family-friendly venue. Hope to see you there!

The Big Five-Oh

I just got back from a trip upstate to visit family. The big event was that my parents celebrated their 50th wedding anniversary. This was a big occasion that we’ve been looking forward to. Luckily they’re both still active and healthy, and they threw a big party that brought out lots of friends and relations I haven’t seen in a long time.

My brother Jim and his family came up from New Mexico with their monster truck and an RV trailer on an epic road trip. We all met up in Albany at my brother Martin’s house for the 4th of July. Martin’s in-laws were having a big ol’ barbeque picnic. Unfortunately, the power steering on Jim’s truck blew out when they arrived, but at least they had their trailer set up and were in a safe place. We all met up in Buffalo by Friday for the party the next day. It was great to see all my nephews and niece together with my kids. And, like I said, lots of cousins came out from Toronto, Ottawa, Chicago, and all over. It was great to see everyone. Really nice.

My folks hired a violinist and pianist, who were really good at Hungarian, German, Austrian, etc. music, plus a few jazz standards thrown in for good measure. It was perfect for the occasion. There was dancing and everything. My Mum was in high spirits and even extemporaneously sang a number.

I also saw my friend Mark C., who was the best man at my wedding, who I’ve lost touch with over the years and then remade contact. He’s also the best drummer I’ve ever worked with, in Infinigon, Event Horizon, and a few other groups. I wish he lived around here. He’s been in a metal band and a world beat party band the last few years, doing the summer festival circuit. He’s sporting a way-cool Zappa-esque goatee these days. It was great to catch up.

I gave the toast at my Mum and Dad’s party. I wrote a draft out ahead of time, and then paraphrased it (mainly to shortening it to fit the mood of the moment). This method has worked for me as well as an outline or bullet points, and one can always fall back on the text if winging it seems to be losing the thread at delivery time. So I thought I’d present my toast here, for my Mum and Dad.

…

A Toast

Mum and Dad, we’re here celebrating your 50th wedding anniversary. And it’s good to be here. A lot of people don’t make it to fifty, so you deserve to celebrate. And we here all deserve to celebrate too, having known you and seen your enduring love affect our lives. Thank you everyone for coming, family and lifelong friends, to help celebrate, some of you from a long way away.

Let me take a moment to express how, as a product of your love, how much you’ve meant to me. Dad, I want you to know how my admiration for you has deepened over the years. I don’t think I’ve ever known a more principled man. In my youth I mainly saw the uncompromising aspect of it, but over time I’ve come to appreciate the values and the strength behind it. You’ve given me a lot to live up to and to look up to. Your intelligence and vast practical knowledge have been in inspiration too. You speak and read several languages. You know how to build or fix pretty much anything. You’ve had a successful career as an engineer, and have been lucky enough to enjoy a long retirement. All your sons have gone on to careers in engineering, although in the field of software rather than machinery, some of us despite our efforts to do something else. Your passion for precise thinking has been an example that served me well. Another passion of yours is a love of nature and the outdoors. You’ve always kept the most wonderful fruit trees and vegetable garden.

Mum, my love and admiration for knows no bounds. Your nurturing, your industriousness, your fantastic cooking, your humor. Your commitment to education has been a big factor in my own success in life. But the thing I appreciate most is your creative side, and the creativity you fostered in me. Your love of music has certainly rubbed off on me. Growing up our house was always full of music, particularly classical music. Playing music is one of my great joys in life. You are an expert in needlepoint, sewing, and cross-stitch, and your work is beautiful and at a masterful level. My other artistic passion is origami, and I also credit this to you. Your example of patient dedication has been an inspiration.

Together you make a great team, and so have prospered and mellowed over time and grown in love and commitment. So we find ourselves here today. Like I said, It’s good to be here. All the family and lifelong friends, everyone who’s shared in their lives, now you’re to help make this a special day. Please join me in a toast to my Mum and Dad, Frank and Eva. Cheers!

OUSA 2012

This week it’s been really hot, in the upper 90’s. Yesterday we had a barbecue with family and friends, which was great fun, but by the end I was pretty beat from the heat. Today I’m sitting in the A.C., hoping the temperature will get below 90 before it gets dark, so I can at least go out and skate. Any kind of outdoor work is right out.

Last weekend was the Origami USA convention. This year was an especially good time. I had six new models in my exhibit this year, and feel like my work is getting to a level where it’s among the best out there. I finally perfected my Five Banded Armadillo and my American Turkey, and folded one of each out of a 19” square of Marble Wyndstone paper, which now available in States again. They came out awesome. The only problem with the Turkey is that it’s a color-change model and Wyndstone is the same on both sides. So I’m going to fold another, and am thinking of ways do the color either by painting the paper on one side or laminating a layer of tissue.

I also folded a Fox from a 12” sheet of scrapbook paper, which worked pretty nicely. Also I had three new tessellations: a Penrose Tessellation, a Penflower Tessellation, and a Pent-Pent Fractal. The Pent-Pent is not a true tessellation because it won’t tile the plane without distortion. It would however, tile a quasi-spherical surface and make an interesting 60-sided polyhedron composed of all pentagons. Ah well, put that in the future file. I rounded out the exhibit with some of my best models from previous years. Got a lot of good comments, and lots of people asking me to teach my models.

I taught two classes, one of intermediate animals and one of complex animals. Each was five recently diagrammed models for the book that I wanted people to test fold. It went quite well. The models are very foldable and I got great feedback as far as minor typos and drawing mistakes, and a couple fold sequences that need clarification.

I bought a lot of new origami paper this year, because I’m looking to re-fold every model for my book to take photographs. This year the Source was selling Wyndstone in 50 x 70 cm sheets so I bought a lot of that in different colors, plus a few large sheets of semi-sparkly paper, one of which will be used to fold my Zeppelin. I’ve decided I’m thru with thin paper. It totally doesn’t work with my design style. I tried to fold my Armadillo of some Origamido-style paper, and it wouldn’t hold together.

Of course seeing people is the most fun part of the convention. Many of my usual friends were there. Lots of good eating out and hanging out folding and talking. John M. is in the middle of several new books including one of Stars, one of simple dinosaurs, and one of (intermediate to complex) mammals, and one of horses. Each set of models is excellent and fascinating in its own way. The dinosaurs in particular show a high level of refinement, well beyond your typical beginner fare.

There seems to be a lot of interest in publishing this year. I met my publisher Jon face to face after months of exchanging emails. He seems like a very nice guy, and I have a good feeling about doing the book with him, which is important. He gets origami as an art form, and knows a lot more about books and book publishing than I do. On Monday I was invited to participate on a panel about publishing. Other panelist included John Montroll, Robert Lang, and Yamaguchi, so I was flattered to be in such esteemed company. It was an interesting panel too.

So all in all a great convention. You can see my photo gallery of the exhibit here.

Checking In

It’s been a busy couple o’ weeks. First off, I’ve been listening to the new Rush album, Clockwork Angels, for pretty much every day the last two weeks. It definitely rewards repeated listenings like only great music can. I’m gonna say I think its their best album yet!

Second, last week Lizzy preformed in a production of “NYXSW” with her performing arts group Young At Arts. NYXSW expands to New York by Southwest, and the show was a musical review of New York and greater-Texas themed songs and skits from various shows such as Company and Oklahoma. It was very well done. Lizzy had a few solos and did great, and a couple of the older kids were just fantastic.

Third, this last weekend was the annual Origami Convention. This year was an especially good time. More on that, plus pics of the exhibits and my new models, coming soon.

New Recording: Now

Here’s a rough mix of Michelle’s new song, Now.

And at the opposite end of the musical spectrum, I just picked up the new Rush album, Clockwork Angels, and I’m just blown away. Imagine if Rush made a concept album that picks up where Hemispheres left off, but incorporates everything they’ve learned in the last 30 years. This is that record!

Camera Eye

I recently acquired a new camera to do the photography for my upcoming origami book. It’s a digital SLR, a Canon Rebel, something I’ve been wanting to get for a long time but never quite was motivated enough to go out and get. I guess I’m glad I waited too, because the product field has evolved and matured and this camera is incredibly full featured. I have an old, old SLR film camera that was pretty much all manual, but the new camera has automatic everything, plus tons of control for every conceivable mode.

Yesterday we went up to visit my brother and his family in their brand new house. It was a very nice occasion because my Mum and Dad were up there too, and Martin and Kathleen felt they were far enough along with finishing the house moving in to have visitors. They have a beautiful place in the woods. I brought along the new camera and tested it out by taking a bunch of pictures.

I Learn to Work the Saxophone

Good news about work. After having worked last weekend, we got a release candidate of our app done by lunchtime Monday. So now we’re in QA and waiting to see if there are any bugs. Meanwhile the release date has been pushed back to mid-July because Abe our QA guy is expecting a baby any day now. Meanwhile, I’m writing unit tests, which is something we’ve always meant to do but never seem to have time for, but our Corporate Overlords have mandated it, so it’s actually fun and cool, and will have lasting payoff in terms of the quality of our code.

So I got to take a summer Friday this week, and dedicated it to catching up on random tasks. High on the list I have to have work done a couple of my horns, and needed to find a sax repair main. I used to repair horns myself, but I don’t have any of the tools or supplies. So I’ve been asking around, and one of the local music stores recommended Virgil Scott in Yonkers. So I went over there and it turns out he was great. I had him check out my alto, and he fixed it on the spot. The main thing was it needed a new cork on the neck, be he also spotted and fixed some minor leaks. Very friendly guy, and we got to talking. He hadn’t seen a Selmer USA. He thought it was basically identical to a Mark VI, although I pointed out a few differences.

Clearly he knows what he’s doing, and he’d even fixed Michael Brecker’s horn. So its great to find a saxophone repairman. Next week in I’m bringing in my tenor, which is a classic sax but in worse shape. It has some serious leaks in the lower stack.

Show Time

Major crunch time at work. I’d wanted to take a summer Friday but I had to work. I was waiting on another developer to check in code most of the day, so at least I was able to get a couple things done anyway. I worked over the weekend (a few hours only). Hoping to take this coming Friday off. Lots of stuff backing up. Finally got the Mustang out for a ride on a sunny day, but still haven’t gotten to the body shop.

Major crunch time for origami too. The convention is just two weeks away. Been folding lotsa new stuff and diagramming too. Made a bunch of cool tessellations last week, including a nice version of my penflower and also a true Penrose tessellation. Did another one I call the pent-hex tessellation, but I’m not sure how to finish it, and created a new one I’m calling the pent-pent. Both are fractals. Pictures soon. I finally got my book contract signed, and went out and bought a new camera.

Working on some animals. I want to do nice versions of my Fox, Narwhal, Armadillo and Turkey, since they’re all new models diagrammed for the upcoming book, and I’ll need to photograph them soon anyway. So I went and inventoried my paper supply and started thinking about which model will go well from what paper. The big problem is that three of these model have a color change effect, which relies on the back of the sheet being white, and most of the high-end papers are single color. So I’m thinking about custom making some sheets, or maybe forgoing the color change. If I get done with those, I still have some polyhedra I want to do, plus a new Zeppelin, and working out my Space Shuttle.

Among my random tasks I booked the first legit gig for my group. It’s at the Beanberry café, where we played last year, coming up in July. Two sets, two hours of music to get together. Meanwhile I’m continuing to play open mics to develop my originals. I played another gig at the Purple Crayon Friday night. Jeannie and the girls came out, and Jen was there too, and we all hung out afterward, so it was a good time. I played Get on Back 2 U and debuted Heat Wave. Good response. GOB2U was my second time playing it, and I’d gotten over the hump of worrying about screwing up the piano part and so was able to relax and concentrate more on delivering a performance, and on the vocal phrasing. Heat Wave is just on the edge of my ability to play, but came across strongly. The response was really positive, and a good boost to my feeling like its worthwhile doing this. A couple other piano players there (who were really good) came up to me afterwards. One said it was really refreshing to hear songs that use 7/8 and whole tone scales. The other asked if Heat Wave was a Zappa song, and was knocked out when Erik told him I wrote it. So my music has an appeal to at least some people. Hopefully next time I play it Heat Wave will be further along the not-having-to-think-so-hard continuum.

Meanwhile Michelle sang in a production of Joseph and the Amazing Technicolor Dream Coat put on by Young at Arts. The show was really good. Lizzy was helping out backstage, and is her own show next week.

And finals! And the kids have crazy half-day schedule coming up. Oy!

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Over the weekend the kids’ school had their annual carnival. This is the major fund raiser for the school, and a pretty large-scale affair, taking over the whole north parking lot and athletic field with rides like a ferris wheel and roller coaster and fun house, and food and your classic midway games. It went on for four days and every family has to volunteer. I spent an evening working one of game booths, handing out bean bags to throw, and the occasional stuffed animal to a winner. At the start it wasn’t too crowded and I had a chance to go around and study a few of the games and figure out what makes them so hard to win. It’s a similar design psychology to trade show exhibits and magic acts. I figured out a reliable method for a couple of them, and all the ones involving throwing darts I’m good at, and the ones involving throwing balls or beanbags not so much. I accidentally won a giant lizard tossing a ring onto a milk jug. We named him Carlos Sebastian Bach in honor of the Mets’ no-hitter. Between hanging out and working we were there three of the days. The kids had a great time. The last day had some dramatic, intense but brief rainstorms. At one point it was torrentially pouring and bright sunlight at the same time.

In other news, Lizzy painted her nails to look like the flags of various nations.