Category: Origami

Armadillos and Spiders

Last week one day I took the girls and one of their friends to the Museum of Natural History. It was a fun day.

We checked out the Origami Holiday Tree. The theme this year was collective nouns. I had fold a group of armadillos, called a fez of armadillos. There were lots of others: a murder of crows, a barrel of monkeys, a fold of sheep, a galaxy of stars. You get the idea. I think my favorite was the lemurs.

We got to see the dinosaurs and all that, but the for us this time was the Spiders Alive! Well, my daughter Michelle and I were fascinated, by my daughter was repulsed. Ah well. Lots of giant spiders, scorpions, and vinegaroons. I’d never heard of vinegaroons. Plus a great live demo. Did you know scorpions glow blue under black light? Neither did I. Now I’m trying again to design some origami arachnids. I tried for my book but ended up designing a giant squid instead.

Diagramming is Done!

I’ve hit a major milestone on my book. Make that *the* major milestone. All the diagrams are done. Twenty-two models, almost 900 drawings. That’s 123 page without the intro or the photos. Wow and woo-hoo. If I weren’t so tired I’d be all in the mood to party.

It was alot of work and it seemed to take a long time to finish. My publisher was very patient. The last model turned out to require more diagrams than I’d estimated. The American Turkey ended up at almost 100 steps, by far the longest model in the book. I’d figured on 70 or so. But it’s totally worth it. It’s a very popular model; I’ve taught and exhibited it before and it always gets a great response.

And I must say, I’ve gotten alot better and faster at diagramming over the course of working on this book, especially in the last few months.

All that remains now is to write the intro. That should be an easy task by comparison. Soon I’ll be able to get back to working on music, upgrading my we site and a bunch of other origami ideas I have that aren’t part of this book.

M.I.T. Origami Convention

It already seems like ages ago, but just this last weekend I went up to Boston for MIT Origami Convention, a.k.a. OrigaMIT. The conventions was put on by the MIT Origami Club under the leadership of Jason Ku. It was smaller than the OUSA convention in New York, but certainly big enough to be a lot of fun. MIT and the Boston area have some pretty heavy folders, and MIT is a really fun place to hang out.

I drove up Friday night with my friend Marcio. We both work in the city and live in Westchester, so we met a Grand Central and took the train back to my place. We took Jeannie’s car cuz it’s a Prius and gets amazing gas mileage. I actually got 52 mpg on the ride home! The trip up was smooth, except navigating around Boston once we arrived was a bit dicey. We stayed in a hotel not too far from Cambridge.

The convention was held at the MIT Student Union. It was easy to get to and find parking. I was teaching and exhibiting, so I brought diagrams and models. About half of models were brand new, including the Cuttlefish and Giant Squid; some were new-ish including the Armadillo, Turkey and some Tessellations. A few were classics, including my UFO, Rocketship, and War Elephant. The diagrams were the last few from my book that have yet to be test-folded: the Cuttlefish, Giant Squid, and Turkey.

As with most conventions it was organized into sessions that were either classes or seminars. The first session I went to was Erik Demaine, an expert in origami mathematics. He basically showed us slides and talked about his course (http://courses.csail.mit.edu/6.849/fall12/). I was familiar with some of the material cuz I’ve read his book, but it was all really fascinating stuff. Afterwards I had a good discussion with him about origami polyhedra design.

At lunchtime I went for a walk along the Charles River by the MIT and Harvard campuses. It was a beautiful fall day, and the riverside walk was full of people strolling, biking and jogging. I hadn’t been to Boston for a few years, although it seems like every time I’m here in end up in Cambridge. Anyway, I’d forgotten how nice it is down by the river and the park. Very Not New York.

After lunch I taught my course. It was cephalopods, the Cuttlefish and the Giant Squid. The class proved to be very popular. I had diagrams for both models, which I passed around at the start. Then I folded both models for anyone who wanted to follow along, which was most of the class. These are both pretty advanced models, somewhat more than I’d expected, but the class did a really good job. I folded the Cuttlefish first. That took close to an hour, and it was a two hour class. A lot of people were not fast in developing the tentacles. That comes near the end but is fairly repetitive. Then we started the Squid but ran out of time, again cuz there’s lots of repetition in developing the tentacles. The good news was everyone was so into it that when class ended, we all went down to the hospitality area to finish. I got good feedback for the diagrams and the models along the way. Mostly they were both very foldable and people really liked the models. As usual there were some minor errors and steps that could do with a bit of clarification.

After that I sat in on Michael Lafosse’s class. This was the perfect compliment to Erik’s class. Michael is a master folder and designer and has some beautiful complex models, and quite a few books too. He also runs a paper making studio for making high-end origami paper. One more thing he’s known for is his butterflies. He’s got lots and lots of butterfly variations, and this class was about that. These are intermediate level models, so the focus was much more on the artistic side than the technical side. Most complex models have a sculpting/finishing phase at the end, and this class was all about exploring that for butterflies. Toward the end I remembered a butterfly design I was working on, and dusted it off and began to get back into refining it. For me the major challenge was developing the points for the legs. I realized if I changed the geometry at step 3 it’s open up more paper.

After classes was dinner and hanging out folding. Some there asked me about the tessellations in my exhibit, so I ended up teach a group how to fold one. These seemed like such a simple idea to me at the time, that you could work out how to fold it jut my looking at it. But people seem to really like it, and it turns out (since it doesn’t use a square grid) there’s a bit of mystery involved. People keep asking me about the tessellations. I’ll keep them in mind for the next book.

I also had my Turkey diagrams test folded by a fellow folder named Mark. Even though the diagrams are not complete, we got thru to the end, and I showed him how to finish. This is definitely the most complex model in the book. We were hanging out and talking the whole time, bit it took three hours to fold. Still, I’m happy Mark got thru it. It’s a worthy model and I got good feedback.

As Saturday turned into Saturday Night lots of students were meeting at the student center dressed up for Halloween going out hit the bars. Rule 63 Guy Fawkes. Ah college life.

Sunday Marcio and drove home, trying to beat the storm. The wind was picking up already, and we passed several convoys of utility trucks heading east. Jason was supposed to fly back to Japan Sunday. I hope he got out okay.

The big goal for this weekend is to finish my book, which basically means finishing the Turkey diagrams. Oh, and cleaning up my yard. I’m really looking forward to being done with diagramming and getting back working on other things like music.

More of the Same

Am I in a groove, or in a rut? Who knows? On the book front, all the photos have been cropped, color balanced, edited, retouched, mastered and delivered to the publisher. 140 pictures, 12 GB upload. Thank you Bob! My last two diagrams are the Giant Squid and the Turkey. I’m to step 50 on the Squid, which is the tricky part. It looks like it’ll be about 65 steps. I hope I can finish it tonight. I’m up to step 65 on the Turkey, and I’m estimating 80 steps and hope to finish that within the week. These are the two most complex models in the book, but the light is at the end of the tunnel.

But even though I’ve been working hard, other interesting stuff is in the offing. The fall weather has been beautiful. Been getting to spend some time outside, although it’s getting light late and dark early already. The kids are alright. Work is mellow at the moment, and I’ve been working out and my health has been better again lately.

I’m planning on going to the MIT Origami Conference later this month. It should be a great time. I’m teaching and exhibiting, and it’ll be great to see the MIT origami people. Got to work out the travel logistics, which really means finding a hotel room.

Been working on learning some new songs. I’ve taken a break from writing and recording until my book is done, but I’ve been practicing. I can now sing and play eight of my own originals on piano. Recently added “Fine Red Wine” and “Angel or Alien” to the repertoire. Plus a couple new covers: “Stepping Out” by Joe Jackson and “Thunder Road” by The Boss. At least a few of them are pretty hard songs to play but I’ve gotten to the point where I know them well and continue to sharpen the arrangements and performance.

More Origami

I’m getting to the home stretch on my book. I have all the models (22) designed and folded and all the photography done. I came up with three new models for the book in the last few weeks. Two were the Cuttlefish and Giant Squid, to create a Cephalopod group along with my Octopus. I tried and tried to design a spider but never came up with anything I liked.

For my last model I designed a Lean-To, to go with the Canoe and Adirondack Chair. I really wanted one more intermediate model. This one clocks in at 34 steps, but most of it is pre-folding and it only takes 10 or 15 minutes to fold. And I got the diagrams done in two evenings! I guess I’m finally getting faster.

I went over to Bob’s one night last week to finish up the pictures, and they came out great. I have only two more diagrams to finish now, the Squid and the Turkey. They’re both more than halfway done but they’re complex models, so they have a lot of steps. After the last drawings, all that remains is writing the intro and the basic steps.

In other news, our big Q4 release of my software at work is in QA now. Really looking forward to taking a break.

Went up and saw Martin and Kathleen yesterday and picked pumpkins and apples and grapes. This seems to have become something of a fall tradition.

The weather has been really warm thru the end of September, to the point where we still have our air conditioners in. But there’s also been a lot of rain. Warm and humid. Until yesterday, when it got cold all of a sudden. Now it’s only getting up to the 50’s and we’ve had to turn on the heat.

Origami Giant Squid

I came up with another new model this weekend to round out the cephalopod chapter in my book: a giant squid.

In other news I bought a song book of 60’s music on ukulele for Michelle not to long ago. She’s been learning a bunch of Beatles songs out of it, and I’ve been playing along with her on piano and guitar from time to time. She’s been asking to watch A Concert for George since I told her Paul does a version of Something on the uke, so yesterday we sat down and watched it.

On the downside, my music project with Erik had kinda cooled. I’ve been working up some new songs, but we haven’t had the time to get together and jam for a while. I want to get some gigs lined up for the fall, but I guess that’ll have to wait until I’m done the deliverables for my book. Ah well.

Origami Cuttlefish

I’m in the home stretch on my book. I folded a whole bunch of new models this weekend to try and round of the list of photos. In particular I’ve been getting sets of models that go together well for the group shots. I also have a few new designs to complete. One of them is for a Cuttlefish, the enigmatic cephalopod famous for its ability to change the color and pattern of its skin. This has been on my list for a long time. When we were in Florida last month I saw some cuttlefish up close in a tank in one of the aquariums we visited, and I feel like I got a really good sense of what this creature is about. I’d been thinking about how to fold a cuttlefish for a long time, so when the time came the design came together quickly, and I’m really happy with how it turned out. Properly C’htulluesque. It’s a nice intermediate model. Nothing too complex in the folding sequence or diagrams. I folded a few out of different color papers. This one out of an 8” square of Wyndstone. He’s resting, just being monochromatic. I need to find some crazy paper that will change colors once folded!

Origami Untamed Photo Shoot

Been busy with work and with back to school. Lizzy is taking double math this year, including early morning algebra – 7:30 A.M.! But most of all I’ve been busy finishing off my origami book deliverables for my publisher.

One of the big things to do was take all the pictures. I had been working on learning my new camera, but it’s a pretty steep learning curve. I know the basics of how to operate a camera and set up a the lighting for a scene, but I learned all that back in the days of real film, and my skills are a bit rusty. My friend Bob is a photography buff and I asked him for some guidance, and one thing led to another, and now he’s doing the photography for my book. And it’s coming out great! He’s got some really high-end lenses, and a studio with some pretty advanced lighting. But most of all, he’s got a good eye and knows how to use the stuff. Stuff I’d have to work out and look up, he’s just zip, bam, click! Bob’s’s using multiple remote triggered flashes, which gives a really intense light and lets him use a very short exposure and still get very sharp, detailed image. Great for bringing out the texture of the paper. I’ve always used continuous lighting and a tripod, and mostly shoot in macro mode, but Bob uses a deep zoom and steps way back, and just holds the camera.

We did two sessions, a test a couple weeks ago and a long session last weekend. We have most of the models covered, except a few group shots and the last few models that I’m still folding. It struck me that it was very similar to a recording studio situation in music. It’s great to have someone focused on capturing the best possible image (or sound) to leave me to worry about the models (or music). In the recording studio, it’s about the mic placement. In photography, it’s all about the lighting. The whole thing is very controlled – even fabricated – to make the image look even better than the real thing.

Bob was a great collaborator too, more analogous to a producer than a desk engineer. We explored lots of ideas for how to best present the models. Bob’s great at listening to my concepts and working to achieve them, and also bringing in creative ideas of his own. For each subject, it was a fresh setup: what kind of background, how to light it, what kind of angle to use. I already had some ideas about what would work for a particular subject. For example, for big subject like a moose or elephant, shoot down low so the animal looks big. For something small like a frog or butterfly, shoot downward so the model appears actual size. Bob just took the whole thing to the next level. He brought in things like rocks and driftwood to set the models on, and it made for some really great combinations of textures.

Here’s a sample:

OUSA 2012

This week it’s been really hot, in the upper 90’s. Yesterday we had a barbecue with family and friends, which was great fun, but by the end I was pretty beat from the heat. Today I’m sitting in the A.C., hoping the temperature will get below 90 before it gets dark, so I can at least go out and skate. Any kind of outdoor work is right out.

Last weekend was the Origami USA convention. This year was an especially good time. I had six new models in my exhibit this year, and feel like my work is getting to a level where it’s among the best out there. I finally perfected my Five Banded Armadillo and my American Turkey, and folded one of each out of a 19” square of Marble Wyndstone paper, which now available in States again. They came out awesome. The only problem with the Turkey is that it’s a color-change model and Wyndstone is the same on both sides. So I’m going to fold another, and am thinking of ways do the color either by painting the paper on one side or laminating a layer of tissue.

I also folded a Fox from a 12” sheet of scrapbook paper, which worked pretty nicely. Also I had three new tessellations: a Penrose Tessellation, a Penflower Tessellation, and a Pent-Pent Fractal. The Pent-Pent is not a true tessellation because it won’t tile the plane without distortion. It would however, tile a quasi-spherical surface and make an interesting 60-sided polyhedron composed of all pentagons. Ah well, put that in the future file. I rounded out the exhibit with some of my best models from previous years. Got a lot of good comments, and lots of people asking me to teach my models.

I taught two classes, one of intermediate animals and one of complex animals. Each was five recently diagrammed models for the book that I wanted people to test fold. It went quite well. The models are very foldable and I got great feedback as far as minor typos and drawing mistakes, and a couple fold sequences that need clarification.

I bought a lot of new origami paper this year, because I’m looking to re-fold every model for my book to take photographs. This year the Source was selling Wyndstone in 50 x 70 cm sheets so I bought a lot of that in different colors, plus a few large sheets of semi-sparkly paper, one of which will be used to fold my Zeppelin. I’ve decided I’m thru with thin paper. It totally doesn’t work with my design style. I tried to fold my Armadillo of some Origamido-style paper, and it wouldn’t hold together.

Of course seeing people is the most fun part of the convention. Many of my usual friends were there. Lots of good eating out and hanging out folding and talking. John M. is in the middle of several new books including one of Stars, one of simple dinosaurs, and one of (intermediate to complex) mammals, and one of horses. Each set of models is excellent and fascinating in its own way. The dinosaurs in particular show a high level of refinement, well beyond your typical beginner fare.

There seems to be a lot of interest in publishing this year. I met my publisher Jon face to face after months of exchanging emails. He seems like a very nice guy, and I have a good feeling about doing the book with him, which is important. He gets origami as an art form, and knows a lot more about books and book publishing than I do. On Monday I was invited to participate on a panel about publishing. Other panelist included John Montroll, Robert Lang, and Yamaguchi, so I was flattered to be in such esteemed company. It was an interesting panel too.

So all in all a great convention. You can see my photo gallery of the exhibit here.

Checking In

It’s been a busy couple o’ weeks. First off, I’ve been listening to the new Rush album, Clockwork Angels, for pretty much every day the last two weeks. It definitely rewards repeated listenings like only great music can. I’m gonna say I think its their best album yet!

Second, last week Lizzy preformed in a production of “NYXSW” with her performing arts group Young At Arts. NYXSW expands to New York by Southwest, and the show was a musical review of New York and greater-Texas themed songs and skits from various shows such as Company and Oklahoma. It was very well done. Lizzy had a few solos and did great, and a couple of the older kids were just fantastic.

Third, this last weekend was the annual Origami Convention. This year was an especially good time. More on that, plus pics of the exhibits and my new models, coming soon.