76 For America 250

For my 2026 summer playlist, I had originally planned to do songs from the 1960’s, but then Jeannie came up with the idea to have seventy-six songs to celebrate America’s 250-year anniversary, with themes having to do with America and places in America.  I found that idea more interesting, or at least more timely for this year, so I decided to help her by suggesting some songs.  She got to 76 pretty fast, but there were a dozen or so songs I really wanted to include, so I made my own playlist, presented here.  It’s actually a couple over the limit, but at this point I don’t want to cut any more songs. 

Her rules are different than mine and don’t prohibit repeating an artist, so there are multiple songs by Billy Joel, Steely Dan, John Denver, David Lee Roth, and a few others.  One could probably make a playlist of nothing but Billy Joel songs.  Also no attempt is made to present the songs in chronological order.

76 For America 250

https://open.spotify.com/playlist/3cDYwwmh7snPQnRayfwrVN

America – The Muppets
America – Simon and Garfunkel
American Pie – Don McLean
Wakko’s America – Animaniacs
Take Me Home Country Roads- John Denver
Take It Easy – Jackson Browne
American Girl – Tom Petty and the Heartbreakers
Theme from New York, New York – Frank Sinatra
Miami 2017 – Billy Joel
New York State of Mind – Billy Joel
Woodstock – Crosby Stills Nash & Young
American Woman – Lenny Kravitz
American Girls – Triumph
Breakfast in America – Supertramp
Yankee Rose – David Lee Roth
America the Beautiful – Ray Charles
Star Spangled Banner – Jimi Hendrix
Rocky Mountain High – John Denver
Lights – Journey
Californication – Red Hot Chili Peppers
Going to California – Led Zeppelin
California Girls – David Lee Roth
San Francisco – Scott McKenzie
California Dreamin’ – The Mamas & the Papas
Rock & Roll Band – Boston
Philadelphia Freedom – Elton John
Ladies Night in Buffalo – David Lee Roth
Jersey Girl – Tom Waits
Ohio – Crosby Stills Nash & Young
My City Was Gone – The Pretenders
My Tennessee Mountain Home – Dolly Parton
Matthew – John Denver
Private Idaho – The B-52’s
Montana – Frank Zappa
Beautiful Texas – Willie Nelson
Alaska – U.K.
Hawaii Five-O – The Ventures
The Load-Out – Jackson Browne
Truckin’ – The Grateful Dead
My Old School – Steely Dan
The Wreck of the Edmund Fitzgerald – Gordon Lightfoot
Leaving Las Vegas – Sheryl Crow
This Land is Your Land – Woody Guthrie
Pink Houses – John Cougar
Young Americans – David Bowie
America – Yes
America – The Nice
South California Purples – Chicago
L.A. Woman – The Doors
Los Angelenos – Billy Joel
Hotel California – The Eagles
Key Largo – Bertie Higgins
Pearl of the Quarter – Steely Dan
New York Groove – Ace Frehley
Manhattan – Ella Fitzgerald
Englishman in New York – Sting
Daddy Don’t Live in That New York City No More – Steely Dan
Sweet Home Chicago – The Blues Brothers
Oklahoma – (Oklahoma! original cast recording)
Ventura Highway – America
Highway 61 Revisited – Bob Dylan
(Get Your Kicks On) Route 66 – Nat King Cole
Last Train to Clarksville – The Monkees
The Night They Drove old Dixie Down – The Band
Georgia on My Mind – Ray Charles
The Devil Went Down to Georgia – Charlie Daniels Band
Stars Fell on Alabama – Billy Holiday
Alabama Song – The Doors
Kentucky Woman – Deep Purple
Mississippi – Cheryl Crow
Stuck Inside of Mobile with the Memphis Blues Again – Bob Dylan
Graceland – Simon
We’re an American Band – Grand Funk Railroad
Fourth of July – Soundgarden
American Woman – The Guess Who
This Is Not America – David Bowie/Pat Metheny
The Heart of Rock and Roll – Huey Lewis and the News
Amerika – Joco Pastorius

Here’s a link to Jeannie’s America 250 playlist.  As you can see, the songs overlap by about eight percent.  I was gratified she included some of my more out-there suggestions such as Montana by Frank Zappa and Alaska by U.K.  There’s a dozen or so songs that made her list by not mine.

https://open.spotify.com/playlist/6nI7O7LH3Av6b8B0iDKN9A

Under the Bridge – Red Hot Chili Peppers
Take It Easy – The Eagles
Midnight Train to Georgia – Gladys Knight & the Pips
Why Georgia – John Meyer
Nebraska – Bruce Springsteen
Mary Queen of Arkansas – Bruce Springsteen
Stop in Nevada – Billy Joel
Rocky Raccoon – The Beatles
Kansas City/Hey Hey Hey – The Beatles
Walking in Memphis – Marc Cohn
Sweet Rhode Island Red – Ike & Tina Turner
Deacon Blues – Steely Dan
Do You Know the Way to San Jose? – Dion Warwick
Song of Wyoming – John Denver
Empire State of Mind – Alicia Keys
San Francisco Days – Chris Isaak

Lizzy was home when we were first brainstorming songs, and she made a playlist of her own and called it The Better America 250. Funny how everyone has their own take on the idea.  There’s some overlap with our lists, and some music I don’t know particularly well, but it’s a good fun vibe good to explore.  There’s a good handful of songs I like and wish I had more space to include on my list. 

https://open.spotify.com/playlist/6xkLrhTfnf5kwzPvxPGUd5

Stick Season – Noah Kahan
Dying in L.A. – Panic! at the Disco
New York – Ed Sheerhan
Empire State of Mind – Jay-Z, Alicia Keys
Fairy Tale of New York – The Pogues
Born in the U.S.A. – Bruce Springsteen
Mississippi Queen – Mountain
The Schuyler Sisters – (Hamilton original cast)
Homesick – Noah Kahan
Allentown – Billy Joel
I’m Shipping Up to Boston – Dropkick Murphys

Hot Summer Nights

Summer continues.  Getting into the soft nougatey center of it all.  After we came back from Buffalo it was time for another round of yardwork.  This included edging the driveway, the walkway around the side of the house and the patio, and also weeding under the hedges and trimming the low-hanging fronds from the neighbor’s willow tree that intrudes into our yard.  It was very hot out out last week, so I mainly waited until the evening to do this stuff, and I did my bike rides in the morning.  Btw I’m up to a hundred rides, seven hundred seventy-seven miles for the year so far.

I discovered a wasp nest in the overhang above my garage door.  I sprayed it but that didn’t take care of them, so the next step is to take apart the soffit and find the nest inside.

I also discovered my ’67 Mustang seems to have some electrical problems.  The blinkers, wipers and stereo no longer work.  My first guess is that one or more fuses need replacing, and indeed there’s two fuses that if blown would explain the failure.  I bought some replacement fuses, but when I looked at the fusebox, it seems that there are extra wires in there, probably from when they installed the stereo, so I’m kinda afraid to mess with it, and I’m thinking it’d be better to have a qualified expert handle it.

We did get to the beach a week ago.  Jeannie and brought our bikes and I did eighteen miles on the Ocean Parkway Coastal Greenway, then went for a swim in the ocean, while Michelle hung out on the beach and read her book.  The water was perfect, very calm for the Atlantic shore of Long Island.  Since I’m taking the summer off, I have as an explicit goal to the beach on a weekday.  I’ve been talking with my friend Nick about this, and we’re targeting sometime in the first couple weeks of August, but there’s alot going on these days and the summer is flying by fast.

My friend Ginny, a former colleague at Consumer Reports Innovation Lab, had a party last week to celebrate our product Permission Slip, of which I was tech lead for a number of years, being sold to an internet privacy company and so will live on even after the Innovation Lab is no more.   You  may recall that I got laid off back in May, along with a handful of other colleagues, so it was good to catch up with everyone.  Most of those left behind have split and found new jobs.  Our former VP Ben is taking a sabbatical for the summer like me.  Our former head of operations has joined the new company as a consultant.  A couple others have joined NYC’s Pit Crew and are working to put up a web portal to report violations of the city’s new law mandating one-click cancellation for consumers, a worthy pivot.  All in all it was good to catch up with everyone and get a feeling of closure.

We had planned to go camping with Kathleen and the kids this last weekend.  Unfortunately, in the days leading up the trip, the skies all over New York State were brown and hazy from distant forest fires, making it unpleasant to be outside.  This, combined with the forecast of heavy rain all day Saturday, led us to postpone our trip until August.  Instead, we had a backyard barbecue Friday night, and used our firepit for the first time this season, while listening to tunes and enjoying some beers and cocktails.  Saturday we went and saw Chris Nolan’s The Odyssey in the theatre.  I must say the movie was epic in every sense of the word.  Big, loud, fantastic, full of monsters and fights and heavy thematic material.  Beautifully shot, great acting and story construction.  In a word, totally amazing.

In music news, Spacecats continues to search for more and better gigs, even as we take a few weeks off because everyone is taking vacation at different times. When we reconvene, the focus will hopefully be on finally getting the recording sessions for our next record scheduled. Meanwhile, on the Spellbound project I’ve finished recording the organ parts for The Sailor’s Saga, and have moved on to the twelve-string guitar parts.

Now the Origami USA conference is only a few days away.  As a special guest, I’m going to be doing alot this year.  I’ve been busy practice folding the models I’m going to teach, thinking about what to exhibit, and maybe even folding a couple brand-new things for that, and generally getting prepared.  Should be a fun time.

Yankee Rose

Summer rolls on, the Fourth of July weekend is come and gone.  Time to rewind and catch up on things.

The last Friday in June my jazz group Spacecats played another gig at the Green Growler.  For this one we decided to play our originals as only half the songs, and the other half split between jazz standards and our renditions of rock and pop songs, on the theory that people who aren’t necessarily into jazz will like it if they hear something familiar.  It seems to have worked.  After the show various people told me they liked our versions of Black Hole Sun, Black Magic Woman, Mister Magic, Englishman in New York, and Josie.  Meanwhile we have enough original, with new ones every show, that we’re rotating them in and out of the set list each show.  Another new thing for this gig is I brought my bari sax and played it on a couple songs.  One was our original Where Has the Sun Gone, a slow, bluesy number with a low growly riff that seemed just perfect for it.  The other was Bemsha Swing by Thelonious Monk, with gave it a cool vibe.  Both went over well. Now it’s on to planning the next gig, and focusing once more on making a record.  Onward and upward!

Meanwhile in my D&D campaign, the party is in the middle of melee combat with the final boss.  The module is White Plume Mountain, which is an original AD&D module that I first DM’d back in high school in the 1980’s.  They’ve subsequently updated to 5th edition rules and published it in the Tales from the Yawning Portal compendium.  We’re playing 5E rules in this campaign so that worked out handily.  It’s fun to compare the two versions; the main difference is that the monsters are alot tougher nowadays.  The module’s ending is a bit abrupt.  The last encounter is a pair of Fire Elementals who show up to prevent the party from leaving the dungeon.  But the party never gets to meet and fight the real big bad, a powerful Lich.  There’s a note at the end, saying if the Efreet capture the party, they’ll be taken to an indoctrination center and made into mindless zombie-like servants of the Lich, and the DM should just improvise this.

Well, lo and behold, stuffed in the back of my original module is hand-drawn map of a dungeon “White Plume Mountain, Level 2”, plus some notes in my handwriting.  It turns out to be a good series of encounters including said indoctrination center, a bunch of guards, henchgnomes, and other minions, some prisoners to set free, a trap or two, and finally a well-guarded crypt with the fearsome Lich in real undead person!  It actually quite well done, so I’m in the process of converting it to 5E.  More on that as the situation unfolds.

Elsewhere, in The Global Jukebox I’ve been spending time updating the code for the routes to accommodate a bunch of new features.  The routes basically handle representing the state of the app as a unique url and resolving urls to app states.  It’s pretty deep and complex and has to handle lots of stuff.  Martin wrote the original version of it.  We don’t really use any frameworks for the Jukebox, but we do use plenty of design patterns, and the general approach is informed by Angular, since I was doing alot of Angular apps around the time I started the GJB.  I remember having long conversations with Martin about the design and the requirements of the routes feature; I was always able to communicate with him about software design like no one else, probably because we taught ourselves programming together as kids and understood alot of deep concepts in similar ways.  Anyway, I dusted off the code and started reading it, and I must say it’s a real a masterpiece.  So well thought out, so consistent and logical, a joy to work with.  I really felt Martin’s presence and missed him like I haven’t in a long time.

Which leads me to the next topic, my work-in-progress record Spellbound.  If you’ll recall, this is a new rendition of a record Martin and I wrote together a long time ago.  In the last few weeks I sang and mixed all the vocals for the epic eighteen-minute final track.  (There’s lots of instrumental jams in there, so it’s not as much work as it might sound like).  So I now have a basic arrangement of the first three-fourths of the song, and a sketch of the structure long extended jam at the end.  It’s sounding pretty good and holds together musically as an extended piece.  The next round of work will be to add more texture instruments such as organ and twelve-string guitars, then the solos, then fleshing out the ending jam.  Ought to be done sometime in the fall.

It’s been super hot here the past few weeks, and I’ve been going out early to get my bike rides in.  A few weeks ago I saw Diamond David Lee Roth at the Capital Theatre in Port Chester. And although he can’t really sing the high notes anymore, he still put on a great, energetic show, and smartly had a chorus of backup singers, which helped to point up the importance of the vocal arrangements in those original Van Halen songs. 

My only disappointment was he didn’t do any of his solo stuff, but I was inspired to listen to his first few solo albums Crazy from the Heat, Eat ‘Em and Smile, and Skyscraper, the latter two featuring Steve Vai and Billy Sheehan and guitar and bass.  I must say they hold up way better than I expected. The songs are great, Steve and Billy are out of this world monster musicians, Dave is in top form and branching out into a range of styles and sounds, and overall they have a great summertime party vibe and have entered heavy rotation in my house, especially Eat ‘Em and Smile.

I went up to Buffalo for July Fourth weekend to visit my folks.  It was super hot up there too, close to ninety the first two days.  But it was even hotter home in NYC, over one hundred degrees!  On the second we had dinner with Lizzy at a place on the lake in Hamburg, then went up to the Niagara Falls.  I hadn’t been up there in years, and it was good to go in the evening when it was cooler and less crowded.  And it turned out the were fireworks shows up by the visitor center, and after that down in the gorge.

The next day was even hotter.  Jeannie and Michelle went with Lizzy to shop for a wedding dress.  Apparently they found one that’s very nice.  Meanwhile I hid out in the air conditioning and build the class schedule for this year’s Origami USA convention.  As the special guest I’m teaching five classes this year, so one nice perk is I can choose the times and rooms I want for my classes first.  I’m starting to get excited about the convention now.  Only three weeks away, and lots to do!

On the evening of the third, Kathleen and the kids turned up, and we spent the evening hanging out.  The next day on the fourth, we basically spent the whole day sipping beers, barbecuing, and listening to tunes.  Jeannie made a whole playlist of America-themed songs (including songs about states, cities, and other places in America), partly because we can’t let the rightwing nutjobs take over the symbols of patriotism and the idea of loving our country.  I thought this was a great idea and offered a few suggestions.  Lizzy heard us working on it when she was home a few weeks ago and came up with a playlist of her own.

That evening we watched the fireworks, although this year they moved them to the lake in the park at the end of my parent’s block because there was construction at the school at the far end of the park and they couldn’t use the athletic field there like the normally do.

We got home yesterday and had the air conditioner running the whole time we were gone, but still it was pretty hot inside.  Finally last night the heat broke and it started to rain.  Today it was cold and rainy all day.  What a relief!

Some Summer Fun

Life goes on full of its comings and goings.  A week ago Lizzy and Josh came into town for the weekend.  Saturday they were at a party on Long Island, then they spent Sunday with us.  We did a barbecue and had a fun time hanging out outside.  Monday I went to the Bronx Zoo with Lizzy and Josh.  That was a fun time too.  It’s a big zoo and it took most of the day, but we saw pretty much everything.  Lots of birds and reptiles.  Did the monorail and the elephant was out to see.  Lots of other big mammals: giraffes, rhinos, bears, tigers, lions, gorillas, gazelle and zebras to name a few.  Afterwards I took them to the airport.  Their flight was delayed, which worked out well because we had extra time at the zoo.  However, traffic was terrible because it was rush hour, and the computer routed us on a strange route thru street-level Queens.

This last weekend Jeannie and went up to Westerlo to visit Kathleen and the kids.  On Friday, her friend and neighbor John, who is the drummer for the band Martin was in, the East Berne Band, had a backyard party barbecue jam session, and invited me to sit in.  He sent me a setlist so I spent a few days listening and learning the songs.  Some were pretty basic bar band songs, while other were interesting and quirky.  The sound was centered on groups like The Band, The J. Giles Band, and the E. Street Band with lots of extra keyboards and horns.  In fact when I got there, there was another keyboard player and another horn player sitting in, so it was a big sound.  Off to one side of the stage we a row of people in golf carts, who I dubbed the rolling VIP section. 

The bass player Dan and drummer John are co-lead singers, and alot of the songs feature harmonies.  Dan is good at directing the group from the middle of the stage, and keeping everything from devolving into chaos.  So it was a good jam and a good party, and it was great to catch up with those guys.  Only problem was midway thru the second set the skies turned dark and the threat of a downpour was imminent. So we had to pack up in hurry.  Funny thing, but by the time we were packed up the rain was lightening up, but there was no way we were going to set everything up again.  Ah well, it was a good time even if it was cut a little bit short.

That evening we hung out and played videogames with Charlie and Matthew and Abbie.  Charlie amazed me by speed running sixteen stars in Super Mario 46 in about twenty minutes.  He did all kinds of circuitous shortcuts and side paths and huge wall jumps, and all kinds of leaps and jumps, even plummeting from great heights land on a hidden ledge, and made it all look super easy.

The next day there was a Renaissance Faire in one of the nearby towns so we went to check that out.  There was a bunch of booths selling things like jewelry, chainmail, and metal goods, boots, corsets and leather goods, wooden swords, maces and battle axes, foam swords, maces and battle axes, and even real swords, maces and battle axes.  The real attraction was the cosplayers.  There were tons of them, and most were very good.  They ranged from authentic-ish to totally fantastic.  I had no idea elves and fairies were such an important part of the Renaissance!   It was a nice summer day for walking around.  My only criticism is they should have had more performers.  Apparently there was a joust but we missed it cuz we were having lunch, and the next show wasn’t for another three hours.  Ah well.

Sunday Jeannie and I got back on the local bike path.  I did twenty-two miles in a hundred minutes.  Jeannie did fifteen miles, a season’s best for both of us.  Tomorrow I will pass six hundred total miles for the year, on track to make twelve hundred by the end of the year. 

In my recording project, I’ve laid down the lead and harmony vocals for A Sailor’s Saga, and am in the process of mixing them.  Don’t tell anyone, but I’m using a touch of Auto-Tune to make them sound a bit more in tune. 

Spacecats Live at the Green Growler June 26

My jazz group Spacecats will be appearing at Green Growler in Croton, NY, on Friday June 26 at 8pm. The group consists of John Szinger on saxophone, Josh Deutchman on piano and synthesizer, Ken Matthews on bass and Rick Arecco on drums.  Note this is an hour later than our usual start time.

The Growler continues to be our regular gig, a great environment for the band to experiment and progress. For this show, in addition to developing and sharpening our originals and jazz standards, we’re adding some new pop rock and funk material to jam out on, trying to take things that people will know and recognize and do something fun and cool with them. Also, I’ll be bringing my bari sax to play on a couple of songs! Should be a great time, so come on down and check it out!

Spacecats – Jazz and Funk
Friday June 26, 8pm
at
The Green Growler
Croton-on-Hudson, NY

Down by the Old Mill Stream

I did a fun thing this week.  I played in the pit orchestra for a local vocal group, The Old Mill Singers.  I’ve done a good number of pit orchestra gigs over the years, most recently when my kids were in middle school, and they’ve always been a good time.  Rick from my jazz group is the regular drummer for their show, and he asked me if I’d like to play a solo for one of the songs.  The group is about thirty or forty singers, doing mainly choral and choir type arrangements of traditional and pop music, show tunes, and that kind of thing.  There were a few soloists too. 

One of them, Savia, sang I Will Always Love You, following Whitney Houston’s arrangement, which includes an 8-bar sax solo.  This is by no means an easy song to sing.  In fact, it’s a real tour de force, beginning with a long a cappella intro, and full of expressive turns and melisma, and has a big dynamic range and very wide melodic range, with a dramatic pause and key change towards the end, where she goes really high and belts out the chorus before returning to quiet sensitive tone for the ending.  Savia is an excellent singer and really nailed it.  It was a high point of the show.  My solo came in about halfway thru.  She wanted me to pretty much follow the solo on the record, but there’s alot of free expression in the phrasing, so I learned the basic shape and improvised on that, and it worked out just fine.

The rehearsals and performances were at a school up in Braircliff Manor.  The orchestra included Rick on drums, a piano player, a bass player, and a few others who played on just a few tunes, including a viola and a guitar/ukulele.  Savia and everyone there were really nice people, and when it was done they said they’d like me to come back for their Christmas show.

Nice Work If You Can Get It

Yeah it’s true, I got laid off from my day job as lead engineer at [company’s] Innovation Lab last month, as part of a massive company-wide restructuring.  Or, putting it another way, I got replaced by an AI bot.  You see, [company] has been losing money for a while now, its core value proposition of well-researched and authoritative product comparison information being attacked and eroded by AI internet chatbots that, while perhaps not as accurate or nuanced, tend to be cheaper and more convenient.  So, the Innovation Lab is no more. They got rid of a bunch of us including Ben our VP and visionary leader, while the rest got reassigned into other business units in the organization.  Ah well, it was a good run while it lasted.  We built some excellent products in the space of consumer privacy protection, advocacy, and digital rights, including the Permission Slip app and the Data Right’s Protocol.  I was the tech lead for both projects, and they rank high as proud achievements in a career that has included many fun and cool accomplishments in software R&D and product development. And I learned alot about alot of things in my time there too. Sadly [company’s] commitment to continuing working in that space had diminished prior to the restructuring, so the writing was on the wall. Meanwhile, the other main thread of the lab’s work, focused on AI chatbots of our own, had pretty much graduated from R&D and folded into the main digital group.  I have no idea what has become of the remaining R&D initiatives.

But there’s no point in sitting around feeling bitter about it, although they do try hard to make you feel as bad as possible when they give you the boot, suddenly cut off from your friends and colleagues and your own work that you’ve put so much into over many years.  For my part, I had a lucky bounce in that I’ve been able to increase my level of commitment to The Global Jukebox, and it’s a good time for it too.  We’re building towards a major release later this year and there’s tons of work to do, and it’s a fun project.  Last week I listened to over a hundred and fifty pop songs to review the Cantometric codings done by a team of consultants.  Kind of amazing how vast and diverse the last hundred years of recorded music is, and how many great songs are out there. 

Other than that, my plan for now is to relax and enjoy the summer, and not worry until the fall about whether I want to look for another full-time job or just continue doing consulting.  My sense is that now is not a good time to try and jump back in, since all the big tech companies are sacking their workers by the thousands and replacing them with AI.  Eventually this will blow over like every previous cyclic downturn.  What really matters to me is to find a cool and exciting project to work on that is worth my time and effort.

Anyway, it’s a good time of year to have some time off.  As mentioned before, I’ve been doing alot of biking.  I’m averaging about sixty miles a week now, and plan to for the rest of the summer.  This past weekend Jeannie and I finally got out to the Empire State trail.  I did sixteen miles in an hour and twelve minutes.  Not too bad, but a little slower than my best times last year.  I’ve also increased the level of weight in my weightlifting workout, up to 202 pounds on bench press, and 120 on curls and the other dumbbell exercises.  200/120 was the goal I set for myself a long time ago to hit before I turn sixty.  I’ll be fifty-eight this year, so from here on out it’s gravy.  Oh, and I’ve lost ten pounds since the winter too.

There’s tons to do outside this time of year, and I’ve been spending time every day working on the yard.  Project patio is nearly done.  It involves spending time outside and lifting heavy things, so double fun.  My patio is made of flagstones laid on a bed of sand and compacted gravel, and over time the stones tend to settle and shift.  Five years ago during the pandemic I enlarged the patio, so this year I’m straightening up the new area.  This involves lifting up the stones one by one with a crowbar, putting in some new sand under them, putting the back and filling in the gaps between the stones with more sand.  The new area all done and I just have one more spot near the stairs to go.  I might need to go out and buy more sand before I can finish.

In music, my jazz group Spacecats has a gig coming up in late June.  We would have liked to make it sooner, but different members of the groups have scheduling conflicts, so we’re off-and-on for rehearsals for the next few weeks.  We’re also trying to schedule our long-awaited recording session.  Meanwhile we’re continuing to learn new songs and have fun.

My recording project Spellbound is progressing as well.  I’ve been working in the 18-minute epic that fills most of side two, which I’m calling The Sailor’s Saga because I don’t remember what title we gave it back in the day.  I’m tracking the first three sections, leaving the big instrumental fourth movement to the end, because I’m going to rewrite it pretty dramatically, whereas the first three parts follow the original demo fairly faithfully.  Back in the winter I started with a click track and basic piano part.  To this I’ve now added a pretty much full (midi) drum part, and electric bass.  The first section is fast and grooving, the second is slow and atmospheric, and the third features a carefully crafted slow build in the rhythm section over a long, repeated chord progression. 

Now I’m up to the first of the guitar tracks, basic rhythm guitar.  The jaunty first section went down pretty easily, although I had to practice the part a few times to get it together.  There’s no part in the section section, so now I’m up to the third section.  It starts out doing arpeggios on the eighth notes, which is surprisingly hard for me.  I’ve been practicing every day, and consistently improving, but I imagine it’ll be a few more days at least before I’ll be able to get a good take. 

Finally, we have an origami event coming next week.  It’s CFC, the Conference for Creators, and this year it’s in Ann Arbor Michigan, hosted by Beth Johnson.  I’ve never been to that part of the country before, so Jeannie and I are going out a few days before the start to tour around the upper midwest.  Also, I’m scheduled to give a seminar on Folding with Fivefold Geometry, so I need to get my presentation together.  And, I want to have a new model for my exhibit, a perfected version of my Pentagon Human Figure that I came up with at CoCon in Chicago in March.  More on all this as it, uh, unfolds.

Spellbound – New Mixes

Here are rough mixes of the first six songs of my upcoming album Spellbound: In the Dead of Winter. I’ve been listening back to them and making tweaks to the balance, effects, and compression. I’m ready to declare victory on these for now and put them aside until the last song is finished, then come back to them for final mastering. But that may take a while, since the last song is a doozy!

Anyway, here you go, enjoy!

The Call of the Muse
Strange to My Mind
The Slient Hour
Sandcastles
Flock of Fools
Frozen Ocean

A-Hoppin’ an’ A-Boppin’

It’s been a busy few weeks.  Winter is over and one or twice a week we get a day nice enough to be hopeful that spring will be here any day now.  I’ve been going into the city alot recently.  The week after our trip to Chicago we went to a tribute concert to Billy Joel at Carnegie Hall.  I’d never been to Carnegie Hall before (even though I practice every day), so that was pretty cool.  The concert itself was great.  The band was Billy Joel’s backing band, and a series of guest artists sang a bunch of his hits and deep tracks, some doing pretty different interpretations.  Among the highlights were the singer who did River of Dreams on ukulele, and Natalie Merchant’s rendition of Allentown, which Michelle called “the saddest version ever”.

The week after that we saw Kurt Elling at Birdland, with the Future of Jazz big band.  The show was excellent, and afterwards we were talking to the bass player because his father was sitting next to us in the audience.  Kurt did Joco’s Three Views of a Secret and he remarked that he wasn’t really familiar with the song and it blew his mind.  I was thinking, you’re a jazz bassist in a big band and you don’t know the record Word of Mouth?  Kids today I tell you.

Only a couple days after that I went into the city for work, mainly to go to lunch and say goodbye to my friend Sukhi.  She was the product manager on our product Permission Slip, but CR is getting out of the privacy business, so she’s moving on.  The general vibe of the company now is fear and uncertainty, so it makes me wonder about the future of the Innovation Lab. 

Finally, Jeannie and I took a quick little trip to Boston for a special event for the Global Jukebox.  It was in induction ceremony for the Americana Roots and Folk Music Hall of Fame, and Alan Lomax was one of the honorees.  Anna accepted the award on his behalf, and got to invite a number of people as guest to the ceremony.  So we were part of her entourage.  I met Odysseus and his family, and some others of the Lomax clan, and Kiki and Robert were there too.  The event took place a beautiful old theatre.  There was a cocktail hour in the lobby with amazing bacon Old-fasioned’s.  The main event was a dinner with the tables set up on an enormous stage with the band turned around facing us. The house band that played a few songs after each honoree’s acceptance speech, with numerous guests.  All very good.  Anna mentioned the Global Jukebox in her speech and me by name, so I got to stand up and take a box.  Very kind of her.

Finally, my band Spacecats had a gig last Friday.  It was a good crowd and the music went over well, although we didn’t make much money.  One of the new songs we did was Joy Spring.  Another was a jazz interpretation of Black Hole Sun by Soundgarden.  This went over amazingly well.  Several people sitting way over at the bar came out to stand in front of the stage and record us with their phones.

Meanwhile, like I said we’ve had a few nice days.  Over the last two weekends I began the spring cycle of yardwork by raking up all the leaves and debris on the lawn and in the flowerbeds and under the hedges, and did a little but of trimming.  I also got the Mustang out on the road for the first time this season.  Happily it started right up, even after a brutally cold winter.  But now I need to get it into the shop for an oil change, a soft tire, and a bunch of other minor issues.  Ah well.  Maybe this is the year I’ll finally get it painted.

I’ve also been able to get out on my bike a bunch of times, maybe two or three days a week.  I’m over 20 rides and 120 miles for the year already.  I’m hoping start going pretty much every day soon.

Ah, spring!!!

New Song: Frozen Ocean

I finished tracking my new song Frozen Ocean a good while back, and have been honing the mixes to the point where I have a pretty satisfactory rough mix.  This was one of the few songs I’ve ever done where the main sound is built up out of layers of guitars, and I learned alot.

To rewind a bit, Frozen Ocean is the sixth song on my upcoming record Spellbound.  It’s one of two songs that was not on the original record Martin and I made back in January of 1990, but one that he wrote around the same time and was part of the live set of his band Shade.  I think it was Martin’s first really great song – great lyrics, great melody, great sound, imagery, tone, build and dynamics, everything.

This song took alot of practicing to get the guitar parts right, but along the way I definitely leveled up my guitar playing and mixing skills.  It opens with the guitar playing an arpeggiated pattern shifting among open and fretted strings. Martin was such a good guitarist, even early on, that I didn’t realize how subtle and complicated the part was.  Next up, lead guitar part was another major challenge. First I listened to his original recording and learned his riffs, then began to practice and memorize them. The song has three guitar solos, a light and airy one at the beginning and end, and a heavy one in the middle. There’s alot of nuance in the tone and phrasing I sought to capture, as well as some moments of intense shredding that really needed to woodshed.  Lastly, I decided to double the rhythm guitar with the twelve-string, since it worked so nicely in the two other guitar-oriented songs. I subtly changed some of the voicings and patterns to bring it more in line with Martin’s original, and to create more depth.  It took a while to make all the guitars sit well together in the mix.  They key was to put a bit of flange on the 12-string to make it blend with the original rhythm track.

Compared to the guitars, the other instruments all went down pretty quickly. There’s a piano part in the background, which I actually recorded first to serve as the spine of the track, and to retroactively insert myself into song to make it fit with the tone of the rest of the album. The drums, being midi, took some work because I was trying to replicate lots of open-sounding cymbal work and some jamming-style fills. My plan is retrack the drum part with real drums, as with all the songs on the record. The vocals went down surprising fast, since Martin’s vocal range and sense of phrasing was very similar to my own. I think I did three takes in less than twenty minutes and knew I’d nailed it.

So here you have it, enjoy!

https://zingman.com/music/mp3/spellbound25/FrozenOcean18a.mp3

Frozen Ocean

I’m going to fly away
Watch me on the run
Try to sail a frozen ocean
See the world but she won’t want me
See the stars they only haunt me
Sail this path until my life is done

You learn the waves you ride
They carry you to the other side
Wait for a springtime tide to bring you home

Here upon my frozen ocean
Watch the world drift by
Caught between the sea and leaden sky
See the life that’s moving under ground
Hear the death that rolls with thunder sound
See the place where all our spirits lie

You learn the waves you ride
They carry you to the other side
Wait for a springtime tide to bring you home

You’ll see the breaking of the day
Your spirit blowing you away
With nothing nothing left to say
The wind is calling you to stay yeah, stay yeah

You learn the waves you ride
They carry you to the other side
Wait for a springtime tide to bring you home

I see the sky is falling
I hear the wind is howling
I see the death that gathers ’round
Lost upon this frozen ocean
Watch the sun go down
Nevermore and never to be found

— Martin Szinger, 1990