Cold and Colder

It’s been a deep freeze here the last few weeks.  The big snow from a couple weeks ago is still on the ground, with big plies of it on the sides of all the roads turning dirtier by the day.  It’s even been to cold for road salt to work.

Jeannie and I managed to get in a little getaway in the form of a trip to Florida.  Last year we went all around south Florida, to the Keys, the Everglades, Ft. Lauderdale and Miami beach.  This year we decided to focus mainly on Key Largo and Key West.

The morning we left New York City it was eight degrees out, and we had to get up super early for our flight.  Unfortunately, the flight was canceled, and they booked us on a later flight with a connection in Atlanta.  There was a snowstorm in Atlanta, so the second flight was delayed.  By the time we got to Key Largo it was after dark and we were exhausted.  The original plan was to have lunch at the beach bar next to our hotel, but instead we had dinner there and then pretty much went straight to bed.  Even though it was cold out, it was forty degrees warmer than at home!  On the plus side, I watched the new Spinäl Täp movie on the plane and it was very funny.

It was cold in Florida too!  When we got up the next morning it was thirty-eight degrees out, and got up to the mid-forties that day.  Each day was warmer then the last but it was far to cold to go into the water until the last day.  The first day we went to a local state park with mangrove groves and some nice nature walks.  They also had alot of info on the coral reef offshore and all the different kinds of sea life to be found there.  This was obviously aimed at divers.  They had snorkeling trips but they were cancelled that day.  They had kayak rentals but it was too cold for that.  We also checked out a local bird sanctuary that had a trail on the bay side of the island too.  The bay was windy and the water choppy.  I thought it was just an urban legend that iguanas start falling out of the trees when the weather gets cold, but they were all over, lying on the ground in a stupor. 

The hotel had a really nice grounds like a garden.  It was too cold for the pool, but the hot tub felt amazing and was a good place to watch the sun go down.  That night we found a great seafood restaurant called the Fish House.  Half the menu was a matrix of different kinds of fish and ways to prepare it.

The next day, Monday was full of activity.  Our first stop was a place called Theater of the Sea, which had live dolphin and sea lion shows, plus turtles and alligators and birds and other things.  The alligators didn’t do much because of the cold.  It was a fun place, much more low key than a place like Sea World, and you got a bit a behind-the-scenes look at the training and care of the animals.  In addition to the shows there’s rescue and rehabilitation going on.  The site was a former quarry that had been flooded with sea water, so they all had lots of space in a set of interconnected pools that were like inlets.  As park guests we moved around to the different pools, one for the dolphins, another for the sea lions, etc., and at one end they had an area for the show with bleachers set up.

Next was a glass-bottomed boat tour of the reef.  This was pretty cool too, and we saw alot including lots of different kinds of fish, rays, a shark, sea turtles, and of course coral and sponges and other things.  After that we walked around the marina for a little while admiring the rich people’s houses and boats, and had a late lunch at a dockside bar.  The last stop of the day was a sunset cruise on a little eight-passenger pontoon boat.  Since it was still pretty cold and windy out on the open water of the Florida Bay, the captain took us thru the channel to the ocean side, but at point in Key Largo there’s a lagoon and extensive mangrove groves between the island and the ocean.  So we got to check out the mangroves by boat after all.  We went back to the Fish House for dinner that night since we like it so much.

Tuesday the plan was to make our way out to Key West in a leisurely fashion, taking in the sites along the way.  There was a place called the Discover Center that was a museum about the history of the keys, and also had nice beach to walk along.  Up the road a little further was the Dolphin Research Center, that had alot of dolphins, many of them rescues, and training going there too.  I guess maybe someday some of those dolphins will turn pro.  There were a couple of state parks too.  The first one I think was on Long Key, and it was a beautiful sunny day so we put on shorts and sandals and waded into the ocean to get our feet wet (still wearing light jackets).  The second one was called Bahia Honda, and had more beaches plus a section of the old train bridge from the 1930’s that you could go walk out on.  Pretty neat.

We arrived in Key West late afternoon.  Our hotel was the Hibiscus, very nice, and just a couple block from the beach where they have the marker for the southernmost point in the continental U.S.A.  We walked around for a while and watched the sunset over the ocean, then went out to dinner.

Wednesday we got up early because we were doing a day trip to Dry Tortuga.  The boat leaves port at 8am, and you have to check in for boarding around seven.  So we got up at six while it was still dark and walked over to the marina district as the sun was coming up (on the opposite side from where it had set, strangely enough).  Key West had a large population of wild chickens, so every block there was one or more roosters crowing cock-a-doodle-doo.  It was about a half hour walk, and it’s a very picturesque town.

Dry Tortuga is the westernmost of the keys and can only be reached by boat or seaplane.  It has a long history as a strategic outpost in the age of sail, and is now a National Park and home to an historic fort build in the mid-nineteenth century.  The boat ride was seventy miles, a little over two hours.  The boat was quite nice with breakfast and seating inside and out.  It was warm enough to be comfortable sitting outside and watching the ocean go by.  When we got there the first thing we did was took a tour of the fort.  Our guide was very knowledgable and engaging.  The fort was huge, so we explored it on our own for a while.  Then we got our lunch from the boat and ate it out in the dock area.  After lunch we explored the rest of the island.  There were seaplanes pulled up on the beach and you could see them up close, which was cool.  From time to time you could see them take off and land.  Beyond that was more beach, and a population of frigate birds make their home on the island.  We were temped to go swimming, but it was not quite warm enough.  They also had snorkeling, which was also tempting, since we didn’t get to go out on the reef back in Key Largo.  Apparently there’s some interesting sea life among the ruins of the old coaling docks.  When we got back to Key West it was happy hour, so we found a dockside bar and got a bunch of appetizers for dinner.

Thursday was our last day, and the weather was finally warm.  I started the day by finally going for a swim in ocean at the beach near our hotel!  The water was beautiful and clean and clear and beach was pure white sand.  I was only person in the water that morning.  After that we walked around town and checked out some book stores and art galleries.  Then it started to rain and the temperature dropped again.  We hit the road back to Key Largo, hoping to get ahead to the weather.  We got a late lunch or early dinner at the beach bar next to the hotel we’d stayed at a few days before.  All the iguanas that had been on the ground around there were gone, hopefully back in their trees.  Then it was on to the airport and home, and luckily no delays or complications this time.

Back in New York it was still bitter cold, and nothing had melted at all.  When we got up Friday morning it was six degrees out!  It was cold all weekend.  We were thinking of going skiing Saturday but it was supposed to get down to zero up at the mountain, we we bagged it.  Just as well, they closed the mountain due to the extreme cold. 

Tomorrow it’s supposed to break freezing in the afternoon.  I wonder if it’ll be warm enough for a bike ride.

Snow Days

Well first off, we got the biggest snowfall we’ve had in the last few years yesterday.  It snowed from Sunday morning to Monday morning, for a total of eighteen inches or so.  It was also very cold, so the snow was dry and powdery.  I went out Sunday evening with Jeannie to do the fist round of shoveling, and there was already over a foot.  I went out this morning with Michele to do round two, including re-clearing everything from the night before and cleaning off her car.  At lunchtime I went out a third time to finish off the apron of the driveway where the plow had passed, and to clean of my car and Jeannie’s.  We had ample warning the storm was coming, so Saturday I got out my snowblower to see if it still worked — happily it did; I haven’t used it in several years — and filled up my little portable gas can.  Now everything is cleared up and there’s no snow in the forecast but plenty of fresh snow on the ground.  I think I’m gonna play hooky and go skiing one day this week.

It’s been a very productive January so far.  On the Global Jukebox project, the style and UI redesign work is substantially completed.  This was a major piece of work that took me about six months to finish, and touched many areas of the code, user workflows, and practically all of the css.  Meanwhile Nick has made additions to the data architecture to let the app model taxonomy data for language families and peoples, as alternatives modes to the geographic taxonomy, and display them in the map and wheel.  Another big piece of work, and I just approved his PR and merged in his branch.  Still lots of stuff to do before the upcoming 4.0 release, but these are a couple important milestones.

The other thing going on these days is I’ve been practicing tons of guitar, learning Martin’s guitar solos for the song Frozen Ocean on the upcoming record Spellbound.  This is the first time I’ve really played lead guitar, and it’s a fun challenge.  The song actually has three guitar solos, a light atmospheric one in the beginning and ending, and a heavy one in the middle.  They all have some twisty phrasing, with bendy notes, hammer-ons and pull-offs, as well as long sustained notes.  So phrasing is very important, and so is tone.  At this point I’ve been woodshedding for a few weeks, and have laid down a number of takes, steadily improving.  I think I may actually be able to edit together an acceptable solo from what I have tracked, but I’m still trying to nail it consistently every take.  But there’s other stuff to do, it may be time to move on.

Wintry Mix

After two weeks back at work it’s nice to have a day off.  Work seems to be going pretty well these days, despite a backdrop of uncertainty around the company as a whole.  A few old projects finishing up, and some new ones finally gaining traction.  I’m feeling quite good for the middle of winter compared to most years.

For the first week and a half or so of January the weather was mild and I even got out on my bike a half dozen times, braving withered crusts of iced-up snow on the streets.  Then it turned colder a few days ago it turned cold and we got several decent snowfalls. 

Our Spacecats gig went really well. The crowd was pretty good considering there was three or inches of snow the first half of the day and everyone had to shovel out.  The the music continues to advance and evolve.  We debuted six new songs, including several originals, and some of the more complicated songs we’ve done a few times continue to get tighter and more expressive.

Two of the new songs are compositions of mine.  I wanted to have some all-new original material as we prepare to head into the studio.  I looked thru my notebooks of ideas to see if anything sounded compelling enough to be worth working up, and a few of them leapt out.

One is a song I’ve titled Green Landings, which plays with the idea of a chord progression with inner voicings moving down by half steps while the bass stays on a pedal tone. To this I added some structure, a contrasting bridge, and on top of it all a jaunty melody.

The other one I’m calling Djinni’s Wish, and it’s based on a very old idea I had a long time ago.  The form of the song is a bolero, which is a kind of dance rhythm in 6/4 or 18/8 that has characteristics of both a march and a waltz, although I only recently learned this.  The melody is straightforward and fairly repetitive, and the harmony is in an exotic mode derived from the juxtaposition of the chords D major and G minor, and alot of the drama of the songs comes from the ebb and flow of the dynamics.  All I had to begin with is the statement of the them, so I decided to see if we could improvise over it and make it into jazz.  This was actually pretty successful, although it demands everyone playing and thinking in a different way.  I’m really happy and grateful to have a group of musicians who are open enough to want to try my ideas and advanced enough to make them sound good.

So we have enough material for a new record and then some.  Over the holidays I bought a new desktop to computer to eventually replace my venerable protools machine.  This will take some time to move into and get set up, but I proved the new drum mics and audio interface can work with my laptop and capture a good sound, so it’s time to move forward.

And since it was a long weekend with fresh snow, we went skiing for the first time this season, up at Catamount.  We went up for so-called night skiing, which actually begins in the afternoon.  On the drive up we listened to Jazz for Hell by Frank Zappa and Song X by Ornette Coleman and Pat Metheny.   The first few runs for me were not great since it was icy and it took a while for me get comfortable on my skis again.  Meanwhile Michelle bought a whole new ski setup this year, but was having trouble with her boots.  After a few runs I got back in the groove and Michelle got her thing sorted out.  Then it started to gently snow so suddenly conditions on the mountain were great.  I was happy to find that my legs are quite strong these days I can ski with confidence, control, speed, maneuverability and endurance.  On the way home we stopped for dinner at Four Brothers in Amenia.  Only problem is it snowed the whole way home, so it was slow and slippery, and at one point the road was closed (presumably because of an accident), so we had to detour on some country back roads.

Spacecats Live at the Green Growler January 17

Here’s announcing the next upcoming show for my jazz group Spacecats at Green Growler in Croton, NY, on Saturday January 17 at 7pm. The group consists of John Szinger on saxophone, Josh Deutchman on piano and synthesizer, Ken Matthews on bass and Rick Arecco on drums.

The Growler has become our regular gig, and a great environment for the band to experiment and progress. We’ve been adding more originals and rotating in new jazz standards and interpretations of rock and pop songs. Our sound and playing has progressed to a high level, with great energy and imagination. Should be a great time, so come on down and check it out!

Spacecats – Jazz and Funk
Saturday January 17, 7pm
at
The Green Growler
Croton-on-Hudson, NY

In the Dead of Winter

I spent alot of time over winter break working on the Spellbound songs, as befits the vibe.  I’ve been practicing the lead guitar parts for Frozen Ocean, and laying down a take every day even if I know it’s not a keeper.  There’s alot going on in Martin’s solos and I’m really trying to nail it all – shredding riffs, bendy notes, phrasing, tone, everything.  I’m starting to understand how much depth there can be to guitar playing.  But it’s all getting there.  I should have a take soon, and then it’s turning the corner to mixing the song. 

I also started in on the seventeen-minute prog epic that fills up most of side two.  I don’t recall what we originally called it but now I’ve named it The Sailor’s Saga.  It’s sort of an answer to the opening track in which the narrator is inspired to go out and experience the world.  In this song his fortunes turn tragic and his ship first becalmed in the heat and then beset by storms.  Eventually he perishes in a shipwreck, and there the voyage of his (perhaps ghostly) soul begins.  So far I’ve listened to it and figured out all the lyrics and chords and structure and parts, and created a sort of sort of midi framework consisting of a click track and piano part that outlines the chords, melody and groove. 

My recollection of this is Martin came up with the story line and most of the lyrics, and had the first section pretty much ready to go, but thought it was too short for a full song, so we kept adding to it.  We worked out the arrangement by jamming on it, and put in several extended solos and building moments.  Each section has a distinct mood, but they all relate together musically.

Our songwriting was ambitious but not super sophisticated, and we wrote and recorded this one pretty fast.  Each of the four main sections consists mostly of two to four chords repeated in a loop, with a few transitional passages connecting them up.  The first three are in the key of E minor.  The first part is upbeat and jaunty like a sea shanty.  The second part is very atmospheric and has some pretty cool chords with open jazzoid voicings.  I wonder if I came up with that part.  The third part is the longest, with a slow plodding tempo, a long labyrinthine chord progression, and six stanzas of lyrics which are repeated with harmonies after a long jam section.  The last part is an instrumental, three chords in a loop slowly building from nothing to the entire universe, with overlapping organ and guitar solos on top of it all.

Listening to it now, I’m thinking of ways I might enhance the arrangement, particularly to make some of the jam sections a bit more structured with textural and motivic ideas.  There’s certainly lots of possibilities to explore.

A Long Winter’s Nap

We just finished a nice long winter holidays.  Jeannie and I had two full weeks off from work, and Michelle had off alot of those days too.  Nice to relax and wind down and let your mind go back to its natural shape without a whole day to day pressures.  And it’s a good thing too, I was getting pretty run down.

Of the course the holidays are busy in their own way.  We did lots of baking, and hosted first and engagement party for Lizzy and Josh, and then Christmas dinner with Mary and Lou and family.  On boxing day we went up to Buffalo and visited with my parents, Kathleen and all the kids, and Lizzy and Josh.  While we were up there we also got together with Larry and Jackie for an evening of dinner and drinks and catching up on things.  Apparently Larry is into improvising jazz on the vibes these days.  Good to know if I ever move back there and want to start a new jazz group.  He also gave me some tips to improve my drumming.  On New Year’s Eve we went out to visit Nick and Lisa and played a bunch of games and watched the ball drop.  Fun time.

This was one of the worst winter drives up and back in years.  It was freezing rain both ways, slippery and poor visibility.  Also, on the drive up, part of the exhaust system went kaput and started making an awful noise for the rest of the trip.

It was a very Lego Christmas in our house this year.  Everyone got legos, including all Kathleen’s kids.  Also, a few months ago I got a fancy lego castle as a spiff from some bonus points at work, the kind you have to spend on one of a handful of stores.  It was Schloss Neuschwanstein, the famous castle in the Bavarian Alps.  Part of the Architecture series, it’s a really big model, with several thousand pieces.  I started building it sometime after Thanksgiving and finished the last day of winter break.  I must say it looks really cool.  Next time I play with legos it will be attacked by spaceships and dinosaurs.

We thought of going skiing last Saturday, but there’s not enough snow yet in the places we go in the Catskills and Berkshires.  Our favorite mountain, Catamount, had only three lifts and a handful of trails open, less then half the mountain.  Ah well, let’s hope for snow. 

Meanwhile I got out on my bike twice already in the new year.  If the weather is above freezing and it’s not too windy I can bike comfortably.  So hopefully I can keep at it semi-regularly thru the winter.  I’m happy to say I’m back to a full weightlifting workout too, and feeling good, which is not always the case this time of year.

I also worked a lot on my forthcoming album Spellbound: In the Dead of Winter.  More on that next post.

Today we’re back to work and so far so good.

Congratulations Lizzy and Josh

It’s time for winter break. Good thing too, I’ve been working real hard and have been feeling increasingly low energy the last few weeks with all the cold and darkness.  A week ago we had a big onsite event at work, with everyone on our team showing up from all over the country to the new NYC office for a day of planning and strategizing, followed by a dinner outing.  The next day we reconvened in Yonkers for more, followed by our office Christmas party.  All very fun and productive, and I must say I feel pretty good about our team and the time ahead, the usual existential uncertainty notwithstanding, but it sure was a bunch of long days.  Then on top this we had a bunch of year-end deadlines and the usual last-minute scrambling. 

We had a big snow a week ago, wet and heavy, lots of shoveling.  But then it turned warm and rainy on Friday and it all melted.  Today is the first day off I’ve had in a long time, easily filled up with random tasks and trying to find a more relaxed pace, even if only for a little while.  I felt somewhat refreshed and did a full weightlifting workout, and it seemed less of struggle than it’s been of late.  I also managed to go on two bike rides in December, but only five miles each time.  It still seems harder than twice that distance then the weather is warm.  The good news is yesterday was the solstice so the days are gonna start to get longer again.

The big event here is Lizzy and Josh got engaged over the weekend. They were visiting New York City and he proposed to her on the ice of the skating rink at Rockefeller Center.  Very romantic moment.  Lizzy has been guessing that Josh would propose for a while now, and is over the moon now that it’s happened.  Josh is very relieved that it all went according to plan.  Jeannie and Michelle and I were told ahead of time so went into the city to see the magic moment.  Afterwards we met them for dinner along with Josh’s parents.  Very nice people, looking forward to getting to know them better.  Jeannie and I are very pleased about all this, and think Josh is great, and can see that the two of them are very happy together.  They’re already starting to talk about planning the wedding.

In music world, my jazz group Spacecats is going to try and record our second album in the new year.  With the drums and mics and audio interface all proved out, we’re all set to make the record here in my home studio.  We have more than enough material for an album, maybe almost enough for two.  Last record we made we recorded the whole thing in one long day, which was pretty exhausting by the end.  This time, I’m thinking of doing it over several sessions, but still doing everything live in the studio since it’s a jazz record.  For the first session I want to pick songs that Josh (different Josh) can play on the keyboard or synthesizer to eliminate one set of variables.  My grand piano is upstairs in the living room and the drums and downstairs in the studio.  So I figure start in the studio and see if we can get a good sound on everything there before we add an acoustic piano the mix.

My song Frozen Ocean for the Spellbound project is coming along.  I tracked the lead and backing vocals, and am learning Martin’s guitar solos so I can lay down the lead guitar track.  Spent some time tonight working on getting the right sound.  I’ve also been listening closer to Martin’s original rhythm guitar part and am thinking of re-recording that with some different voicings closer to his original part.  There’s some ninth chords in there that I didn’t pick up on first time around.  Lastly, Rick is going to come over sometime during the break to check out the drum recording setup, and has agreed to play drums on the Spellbound project if I can’t get the drum parts together myself.  More on that as it progresses.

Drums in the Deep

We’re getting into the season of maximal darkness.  When Thanksgiving rolled around last week I was grateful to have a few days off to rest and get caught up on random tasks.  Lizzy and Josh came home for a visit, which was very nice.  As it was, I caught a cold on the Monday after Thanksgiving and am only starting to feel better today.

My day job has been busy with everyone trying to jam in as much as possible by the end of the year.  I’ve been updating the data sources for our AI app with the new data for the 2026 car model year.  Unfortunately, we don’t have a good workflow for this, so there’s synchronization issues, compounded by AI’s tendency to make stuff up and be just pain wrong. 

In the music realm, I’ve been working on a song called Frozen Ocean for the Spellbound project.  This was one written by Martin shortly after we did the original Spellbound EP, and I chose it for inclusion to bring the record up to full album length, as I did with my own Flock of Fools.  Frozen Ocean was probably the first really great song Martin wrote, great lyrics, melody, chords, and dynamics, with a haunting and evocative sounds.  The song opens with the guitar playing an arpeggiated pattern shifting among open and fretted strings, a little like Closer to the Heart.  Martin was such a good guitarist, even early on, that I didn’t realize how subtle and complicated the part was.  The basic pattern was clearly composed, but the variations, well he was probably just riffing off the top of his head. I wanted to do it justice and make it sparkle, so I spent a few weeks practicing and tracking the part and listening back and practicing some more.  I finally got it together and it sounds great. Next up is lead guitar part, sure to be another major challenge.

The other big music accomplishment over the break was with the drums.  Last Christmas I bought a microphone kit for the drums: mics, stands, clips and cables, with the mics being purpose-matched to the kick drum, snare, toms and overheads/cymbals.  I few months later I bought an 8-channel audio interface.  The whole project got delayed by the necessity of cleaning out and reorganizing my studio space, particularly my stockpiles of origami paper and supplies.  The end result of all that was I had a flat surface to set up my audio interface and plug in the mics, which I did earlier this fall.

Over the weekend I was able plug in the audio DAC box into my laptop and spend an evening setting up the software so it could accept input from the box.  Finally the magic moment when I hit record.  It worked great!  The sound was clear, the levels hot but not clipping, eight tracks of whacks, woo-hoo!  I spent a few minutes adjusting the mic placement and levels and pretty quickly got a balanced and good sounding kit.  It was actually quite revealing they way the different mics capture different POVS on the sound and all interact.  You really could do fine with just the overheads, kick and snare mics.  But I guess since I have the eight-channel version I might as well use it all (the others being for the toms and to close-mic the hi-hat).  I spent a little more time tuning my low drums, to give the floor tom a bit more tone and resonance, and the kick a little less.  My only remaining complaint is when you hit the kick drum in isolation it tends to make the snare rattle.  Don’t know what to do about this, but also it doesn’t matter when you’re playing the whole kit.

Rollin’ and Foldin’

The weather continues to get colder and darker and stormier.  Once it gets below forty degrees of so, biking gets more difficult, especially if it’s windy.  So now I’m down to biking every other day or so, and when I go I gotta bundle up.  A week ago I did my longest ride of the season, indeed my longest ride in quite a few years. Over twenty-eight miles in just a little over two hours.  I’m hoping I’ll get another long ride or two in before winter arrives, but if that’s my longest this year I’m satisfied.  The days are short and it’s dark alot, so next time I’ll go for speed to see how far I can go in ninety minutes.

Last Friday Jeannie and I went to see Branford Marsalis playing with his quartet at SUNY Purchase.  They have a very nice concert hall there, although lots of little things about it are weird, including the entrance to the venue being in a tunnel, and the lack of a center aisle of doors in back means the entrance to the hall from the lobby is a little made of side hallways.  Anyway the show was great.  Branford is one of my favorite sax players around today.  The piano player was Joey Calderazzo, who is amazing, and so were the rhythm section.  The mainly band played an interoperation of the Keith Jarret album Belonging and to to some really great places. 

Saturday we went up to Boston for the OrigaMIT convention.  The special guest was my friend John Montroll, who had never attended an OrigaMIT convention before, so that was a fun surprise.  I also met his sister and nephew, who is a professor of mathematics and computer science.  John gave a talk on his approach to origami design, which was very cool.  His style of delivery is pretty breezy and laid back, so if you’re not paying attention you’ll miss how deep what alot of what he has to say is.

I folded several new models for my exhibit.  I taught my Platypus, so I did a new rendition of that out of purple tissue foil; it came out very nice.  I also had a new version of my Lizard and Turtle, both folded out a sheet of beautiful hand-painted paper I bought in Venice, Italy when we were there a few years back.  The other model I’ve been working on is a Dimpled Dodecahedron.  I came up with a layout folded from a decagon that has polar symmetry.  Back in July at the OUSA convention John helped me refine the layout to make the 3-D folding phase more tractable.  It turns out to be a very difficult model to fold because as it accumulates layers inside that zigzag in strange ways and tend to push the model open like a budding flower.  So most of the work I’ve been doing has been to manage the layers and make them organized and flat to mitigate that tendency.  I got thru most of the southern hemisphere and am up to the lock at the south pole, where three tabs are supposed to go together in a pinwheel.  Unfortunately, I didn’t quite have the worked out in time for the convention.  I’m sort of in the Zeno’s paradox phase: every time I try, I get half the remaining distance to the finish line.

New Song: The Call of the Muse

Here’s a rough mix of the fifth song from the Spellbound project.  As mentioned previously, this is a two-part song that was a collaboration between Martin and myself.  This is reflected in the musical structure and instrumentation along with the lyric.  The first part is built on a rhythm guitar pattern providing the backbone, with a swoopy synth solo floating on top and a synth bass underpinning it all.  Martin’s original guitar track was a six-string electric with a flange effect.  I tried to emulate that, and also double-tracked it on twelve-string guitar.  When we wrote this song Martin only played six-string, but later on switched to twelve-string as his main sound.  I have one of his old twelve-string guitars and have been looking for opportunities to use it to make the music sound more like him. 

Martin originally sang the lead vocals on the first section, but on this recording I’m doing all the singing, so I added a bit of EQ to the vocal tracks, giving his parts a boost in the upper treble and mine a boost in the low treble to differentiate them a bit.  This is kind of funny because back then I used to be able to sing really high, and was the guy in my rock group to sing the Rush and Yes songs.

In the second section the instrumentation switches to a keyboard sound.  In the original I used my Roland Alpha Juno.  For this recording I have a stack of electric piano, clavinet and the Polysynth sound from the Juno blended together.  There’s also electric bass, which is an option not available to us in the original sessions.  This section has a really nice dynamic flow, coming down and building back up in the chorus. There’s a synth solo and an electric guitar solo.  I based my solo and guitar sound on Martin’s original, but back then it was just a couple Boss pedals, now it’s a whole universe of computerized effects to learn how to craft.  After the guitar solo I introduced a new section I call the big build, with guitars and synths and everybody going nuts in a coordinated fashion, climaxing in a dramatic pause.  There was a section in the original toward that I had considered cutting cuz it was kinda just there, but I filled it in with a bit more guitar and synth jamming and really brought it to a satisfying place. 

The outro is a long synth solo with a slow build, using the pattern of the first section.

I must say this came out much better than I expected when I first started tracking it.  At first I didn’t really think it was a super strong song, maybe kind of long and meandering, clocking in at over seven minutes.  But the new arrangement has lots of instrumental layers and dynamics, and of course the performance and recording are much better.  It really takes you on a journey!  Here is it is, enjoy!

https://zingman.com/music/mp3/spellbound25/TheCallOfTheMuse31.mp3